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15. Nov. 2001 · The Fright of Real Tears. Hardcover – November 15, 2001. Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual. In this major new study Slavoj ...
- Slavoj Žižek
In This Major New Study Slavoj Z̆iz̆ek Challenges Both Cognitivist-historicist Accounts Of Cinema, And Conventional Film Theory. Urging A More Complex Understanding Of Lacan, Z̆iz̆ek Seeks To Revitalise Psychoanalytic Approaches To Cinema, In Defiance Of The Reductions Of Post-theory, And In So Doing Opens Up New Pathways In Cultural And ...
1. Dez. 1999 · The Fright of Real Tears. Slavoj Žižek. Bloomsbury Academic, Dec 1, 1999 - Art - 240 pages. Theory in film studies, as elsewhere, is in crisis. The once-dominant psychoanalytic paradigm is contested by cognitive models and 'Post-Theory'. In the background is a wider crisis in cultural studies, particularly as regards the public role of the ...
Right Direction, Wrong Turning, on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory, by Slavoj Žižek. John Orr. Jul 2003 Film-Philosophy. The Last Analysis of Slavoj Zizek . Edward R. O'Neill. Feb 2001 Film-Philosophy. What ...
15. Nov. 2001 · doubanch 4赞 2018-03-14 16:06:47. —— 引自第139页. 人类就是这黑夜，它空无一物，却在简单性中包含着万物—众多表象和形象的无穷尽财富，但它们不属于他，或并不存在。. 这一黑夜是自然的内部，在幻影般的表象之中纯粹自我在场，遍布黑夜的中心射出一颗血淋淋 ...
25. Apr. 2018 · The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory Slavoj Žižek Murat Akser Related information York University and Ryerson University
His logic borne of the 'fright of real tears' is by far the most difficult challenge of the ethical kind confronted by documentary film makers but one that took Kieslowski to new heights as the fiction film maker. Quoting Kieslowski, Žižek says that Kieslowski's move was "at its most radical, an ethical one." Said Kieslowski: Not everything can be described. That's the documentary's great ...
