Anzeigen · The Marriage of Figaro
Suchergebnisse
Suchergebnisse:
Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or The Day of Madness), K. 492, is an opera buffa (comic opera) composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784).
4. Sept. 2024 · Susanna and Figaro prepare their new bedroom. Figaro decides he must foil his master’s attempt to seduce Susanna. Marcellina has a legal claim on Figaro and plots with Doctor Bartolo to prevent Figaro’s wedding. Cherubino comes to see Susanna in a panic, but hides when the Count arrives to solicit a meeting with Susanna that night. The ...
All about The Marriage of Figaro by Mozart, and why this scintillating comedy may be the best opera of all time
Mozart composed The Marriage of Figaro in six weeks, and its Vienna premiere was met with positive, if not ecstatic, acclaim. On the strength of Figaro , Mozart and da Ponte were commissioned to compose Don Giovanni (1787) and Così fan tutte (1790), the trilogy of operas which guaranteed Mozart’s reputation as the most significant opera composer of the 18th century.
One of Wolfgang Amadeus Mozart's most well-known pieces, "The Marriage of Figaro," is performed here by an unknown symphonic orchestra. The picture is one of...
- 5 Min.
- 20,3M
- wmd10
The Marriage of Figaro (French: La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by The Barber of Seville and followed by The Guilty Mother .
20. Juni 2015 · Wolfgang Amadeus Mozart’s „The Marriage of Figaro“, which premiered at Vienna’s Hoftheater in 1786, is the first of the three Mozart-da Ponte operas. Despite its quick-fire comedic action, the work foreshadows some of the radical ideas of the French Revolution. In his staging, director Johannes Erath takes the audience on a journey through the different epochs of theatrical history ...
