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Review scores. Source. Rating. Allmusic. [1] Every Turn of the World is the third studio album by Christopher Cross, recorded and released in 1985. The album has a harder rocking sound, lacking the pop ballads that dominated the sound of Cross's previous albums. The album peaked at No. 127 on the Billboard 200, while the "Charm the Snake ...
Christopher Cross (born Christopher Charles Geppert; May 3, 1951) is an American singer-songwriter and guitarist from San Antonio, Texas. ... Mobile view; Toggle limited content width ...
9. Nov. 2022 · Steven Miller (CC BY 2.0) Es hätte so gut laufen können für den Solokünstler Christopher Cross, seine Single "Ride Like The Wind" war im Frühjahr 1980 der erste richtig große internationale Hit des neuen Jahrzehnts, die 80er sollten seine Dekade werden. Vor genau 35 Jahren geriet Christopher Cross aber in Vergessenheit, was war passiert?
Christopher Cross was by far the biggest new star of 1980, virtually defining adult contemporary radio with a series of smoothly sophisticated ballads including the #1 hit, “Sailing.”Christopher Cross’ 1980 self-titled debut album with the lead single “Ride Like the Wind” rocketed to the #2 spot.
20. Sept. 2020 · Cross released his self-titled debut album, Christopher Cross, in 1979. The Billboard Hot 100 top 20 hits from this album included “Ride Like the Wind” (featuring backing vocals by Michael McDonald), “Sailing”, “Never Be the Same”, and “Say You’ll Be Mine” (featuring backing vocals by Nicolette Larson). “Ride Like the Wind” hit No. 2 on the U.S. Hot 100, while “Sailing ...
Christopher Cross is het bekendst vanwege zijn nummers "Sailing" en "Arthur's Theme (Best That You Can Do)", een nummer uit de film Arthur, met in de hoofdrollen Dudley Moore en Liza Minnelli. Voor "Sailing" ontving Cross drie Grammy Awards in 1981. "Arthur's Theme" won een Academy Award voor Beste Originele Nummer.
10. Feb. 2007 · And that goes for nearly the entire album--much like Crosby, Stills & Nash on their 1982 album "Daylight Again", "A View From The Ground" finds America stuck in the '70s, either unwilling or unable to "modernize" their sound. And I say more power to them--I give these guys major credit for not jumping on the synth-pop bandwagon and for keeping their sound supremely tasteful on here. Legendary ...
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