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  1. Mariss Jansons (conductor) A special budget release on RCO Live of Mussorgsky’s much beloved Pictures at an exhibition in the orchestrated version by Maurice Ravel. Recorded Live at the Concertgebouw Amsterdam, Mariss Jansons and the Royal Concertgebouw Orchestra display magnificent form and produce a wonderfull palet of colours and sonority ...

  2. 19. Dez. 2009 · In case you think that the cover jacket forgot to list the filler for Mariss Jansons new Pictures at an Exhibition, there isn't one. This is that rarest of release, a Pictures standing alone and thus a very skimpy timing. clearly the Royal Concrtgebouw has decided to build up a library of standards repertoire to sell to it s fans and probably to eager concert goers at their shop.

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  3. A special-priced release on RCO Live of Mussorgsky's much-loved Pictures at an exhibition in Ravel's orchestration. Recorded live at the Concertgebouw, Amsterdam, Mariss Jansons and the Royal Concertgebouw Orchestra, on magnificent form, produce a wonderful palette of colours and sonority in this dazzling orchestral piece. ...

  4. 21. Feb. 2022 · Описание: Conductor Mariss Jansons, the Bavarian Radio Symphony Orchestra and Mussorgsky's “Pictures at an Exhibition” were predestined to come together. The lavish colors of Ravel's orchestration of the Russian work, the breathtaking inventiveness of the wildly different movements that are all interconnected through a recurring “Promenade” – few conductors are as adept as ...

  5. 22. Feb. 2019 · A special-priced release on RCO Live of Mussorgsky's much-loved Pictures at an exhibition in Ravel's orchestration. Recorded live at the Concertgebouw, Amsterdam, Mariss Jansons and the Royal Concertgebouw Orchestra, on magnificent form, produce a wonderful palette of colours and sonority in this dazzling orchestral piece. ...

  6. Amazon.co.jp: ムソルグスキー : 展覧会の絵 (Musorgsky : Pictures At An Exhibition / Royal Concertgebouw Orchestra , Mariss Jansons (chief conductor)) [SACD Hybrid] [輸入盤・日本語解説付]: ミュージック

  7. Much as a fine live performance may deserve to stand by itself, prospective buyers may wonder why they should fork out for a disc only 33 minutes long. Mariss Jansons may think he’s giving good value for money by adding liberal percussion parts to Ravel’s orchestration from the sixth picture onwards. But that’s unnecessary and even obstructive down in the Catacombs, where ...