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Jean-Pierre Léaud. Fifty-six years after his debut in François Truffaut’s cult film The 400 Blows, Jean-Pierre Léaud, the 70-year-old living legend of the nouvelle Vague, has agreed to this rare interview. He is the face of avant-garde cinema in France, never compromising his talent and living in a poetic and unpredictable way, blurring ...
Jean-Pierre Léaud ist ein französischer Schauspieler, Zweiter Regieassistent. Entdecke seine Biographie, Details seiner 59 Karriere-Jahre und alle News.
Jean-Pierre Léaud (born May 28, 1944) is a French actor, best known for playing Antoine Doinel in François Truffaut's series of films about that character, beginning with The 400 Blows (1959). He also worked with Aki Kaurismäki, Pier Paolo Pasolini, Jacques Rivette, and Tsai Ming-liang. He is a significant figure of the French New Wave, having appeared in eight films by Jean-Luc Godard and ...
18. Juli 2000 · 1. Jean-Pierre Léaud: this figure, this presence, this symbol, this persona, this actor – a performer who is histrionic and naturalistic, transparent and opaque, pliable and inflexible. He is himself, he is his character Antoine Doinel, he is New Wave cinema incarnate, he is the past-in-the-present, the past remembered and re-evaluated.
Jean-Pierre Léaud, bet ganet d'an 28 a viz Mae 1944 e Pariz ( Seine d'ar mare-se), a zo un aktour gall . Dibabet e voe e 1959 gant François Truffaut ( 1932 - 1984) da zelc'her perzh Antoine Doinel e-barzh Les Quatre Cents Coups kentañ film hir ar filmaozer gall : gwisket e voe dilhad an hevelep tudenn gant Léaud da-geñver L'Amour à 20 ans ...
Jean-Pierre Léaud (* 28. května 1944 Paříž) je francouzský herec. Jako čtrnáctiletého ho objevil režisér François Truffaut, který mu svěřil náročnou hlavní roli Antoina Doinela v dramatu Nikdo mne nemá rád. Díky přátelství, citovému a tvůrčímu souznění obou umělců pokračovala jejich úspěšná spolupráce i v ...
Jean-Pierre Léaud is to the French New Wave what Anna Magnani was to Italian Neorealism and what John Wayne was to American westerns: its spirit, its emblem, its avatar. On the occasion of the release of Albert Serra’s The Death of Louis XIV (NYFF54), the Film Society is proud to pay tribute to the prolific actor’s irresistible presence and undeniable legacy.
