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  1. The Bernard Herrmann Society is a continuation of the Bernard Herrmann Web Pages (1994-2000). The BHS is unrelated to the 1980′s society by the same name. The BHS web site is hosted by the University of Bergen, Norway, with special thanks to the Department of Information Science and Media Studies, and to Hans Morten Kind at the IT-department.

  2. 29. Juni 2011 · Bernard Herrmann's music helped make Alfred Hitchcock's Psycho and Vertigo, Orson Welles' Citizen Kane, François Truffaut's Fahrenheit 451 and Martin Scorsese's Taxi Driver into iconic works of art.

    • 2 Min.
    • Tom Huizenga
  3. 18. Mai 2018 · Bernard Herrmann (1911-1975) is perhaps the greatest composer of motion picture music in the twentieth century. He is best remembered for his dark, suspenseful, innovative musical scores, written for such celebrated film directors as Alfred Hitchcock, Orson Welles, Francois Truffaut, and Martin Scorsese. Herrmann composed some 50 original film ...

  4. Bernard Herrmann (Nova York, 29 de juny de 1911 - Hollywood, 24 de desembre de 1975) va ser un compositor estatunidenc de música de cinema. [1] Com a director d'orquestra, va defensar la música de compositors menys coneguts. És considerat àmpliament com un dels més grans compositors de cinema. [2]

  5. Laurie Johnson, R.I.P. Herrmann’s friend and frequent collaborator, British composer Laurie Johnson, MBE has died aged 96 on 16th January 2024. Digitizing Bernard Herrmann’s Recordings with the CBS Symphony The UCSB Library’s Special Research Collections will preserve, digitize, and make accessible the groundbreaking radio broadcasts of the CBS Symphony conducted by Bernard Herrmann in ...

  6. Complex and irascible, Bernard Herrmann was plagued by career frustrations, but remains one of cinema’s most iconic musical voices

  7. Bernard Herrmann was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. Alex Ross writes that "Over four decades, he revolutionized movie scoring by abandoning the illustrative musical techniques that dominated Hollywood in the 1930s ...