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  1. 21. Juni 2002 · The Importance of Being Earnest: Directed by Oliver Parker. With Rupert Everett, Colin Firth, Frances O'Connor, Reese Witherspoon. In 1890s London, two friends use the same pseudonym ("Ernest") for their on-the-sly activities.

    • 2 Min.
    • 159
  2. The Importance of Being Earnest was described by its author, Irish playwright Oscar Wilde, as ‘by a butterfly for butterflies’. It is a story of courtships, betrothals and confused identities in which two young men – Jack Worthing and Algernon Moncrieff – pursue two young women who are both determined to marry someone called Ernest.

  3. For individuals very interested in (or obsessed with) Oscar Wilde's "The Importance of Being Earnest," I have listed below a few aspects about the film which I disliked: 1. At 97 minutes, a large amount of dialogue is cut from the production. While the film attempts to keep most memorable lines, the changes and omissions might disconcert a ...

  4. The Importance of Being Earnest ist eine Komödie in drei Akten von Oscar Wilde, uraufgeführt am 14. Februar 1895 im Londoner St. James Theatre in einer Inszenierung von George Alexander. Es existiert zudem eine vieraktige Vorfassung, die zu Wildes Lebzeiten nie gespielt wurde, die aber der ersten deutschen Übersetzung des Stoffes zugrunde liegt.

  5. Oscar Wilde’s comic jewel sparkles in Anthony Asquith’s film adaptation of The Importance of Being Earnest. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the enduringly hilarious story of two young women who think themselves engaged to the same nonexistent man is given the grand Technicolor treatment.

  6. 6. Juni 2023 · L'importanza di chiamarsi Ernesto è, insieme al Ritratto di Dorian Gray, una delle opere più famose di Oscar Wilde. La commedia, rappresentata per la prima volta nel 1895, racconta della doppia ...

  7. However, I wanted to see The Importance of Being Earnest, in part because it’s a stone-cold classic, and also because it’s directed by Anthony Asquith, whose films A Cottage on Dartmoor and The Browning Version, I’ve recently enjoyed very much. Here his directorial touch is less demonstrative because the focus is on Oscar Wilde’s text ...