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  1. 25. Okt. 2012 · Valaida Snow (1904 -- 1956) was a beautiful, gifted entertainer, singer, dancer, arranger, and jazz trumpeter. Valaida's exceptional talent, determination an...

    • 3 Min.
    • 25,8K
    • 2ndviolinist
  2. 29. Okt. 2018 · Valaida Snow (1904-56) was a unique performer. Virtually the only female to become a superior swing trumpeter in the 1930s (she was preceded by Dolly Jones in the 1920s), Snow was an exciting performer who also sang and danced. Originally part of a family that worked in show business, she also played clarinet, saxophones, banjo, mandolin ...

  3. www.npr.org › artists › 87775668Valaida Snow : NPR

    28. Feb. 2008 · February 28, 2008 • Fresh Air's jazz critic reviews Mark Miller's High Hat, Trumpet, and Rhythm: The Life and Music of Valaida Snow. It's a biography of jazz singer and musician Valaida Snow ...

  4. www.imdb.com › name › nm2003343Valaida Snow - IMDb

    Valaida Snow. Valaida Snow was the product of a musical family; her mother, a music teacher, taught Valaida and her sisters to play a wide variety of instruments, among them cello, bass, mandolin, violin, clarinet, saxophone and accordion. The girls also sang and danced, but when Valaida turned professional at the age of 15, she began focusing ...

  5. Snow was a star by all standards, but she was not a black performer. She was also subject to significant racism. Worse, she was a woman who was considered an outsider in the jazz community. Her perfect pitch, arranging skills, and brilliant trumpeting didn’t help her cause but made her more curious. After her Apollo Theater appearance, Snow returned to Europe in the late ’30s for film work ...

  6. 29. Juni 2016 · The Valaida Snow story drawn by Emmanuel Reuzé & Mael RannouThe full Valaida Snow playlist here: http://bit.ly/ValaidaSnow-FullPlaylistGet the Digital versio...

    • 3 Min.
    • 1043
    • BD Music
  7. 2. März 2021 · Valaida Snow’s choice of instrumental focus was also a taboo one. At the time, it was socially unacceptable for women to play wind instruments. Instruments like the trombone, trumpet, coronet, and saxophone were considered especially masculine (Charles, 1995). Even into the 70s, the idea that jazz was a male domain prevailed, as one man was quoted: “jazz is a male language. It’s a matter ...