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31. März 2015 · Wolf Vostell (1932-1998), war kein bequemer Künstler. Seine Kunst ist nicht schön und unschuldig, denn Vostell sah im 20. Jahrhundert nichts Idyllisches. "Meine Kunst", sagte er einmal, "hat die Aufgabe, die Menschen gegen Krieg und Intoleranz zu erziehen." Von 1950 bis 1958 studiert Vostell zunächst Lithographie und Typographie in Wuppertal ...
Vostell’s philosophy was based on the assumption that we are surrounded by destruction, which he saw as a definition feature of the 20th century. Vostell created his first Dé-coll/age in 1954, a term which he originally used to describe the process of tearing down posters and later transferred it to his performances and happenings.
Wolf Vostell (de 1958 a 1979). Envolvimiento, pintura, happening, desenho, video, gravura, multiplo; maio de 1979, Galeria de Belém. Textos et org. do catálogo ...
Wolf Vostell zbudował swoją filozofię wokół idei, że zniszczenie jest wszędzie wokół nas i przebiega przez wszystkie stulecia. Użył terminu dé-coll/age (oznaczającego kraksę lotniczą), by odnieść się do procesu rozdzierania plakatów oraz używania ruchomych fragmentów rzeczywistości. Jego pierwszy happening „Theater is in the Street” – „Ulica jest Teatrem” miał ...
Wolf Vostell ( Leverkusen, 14 de outubro de 1932 - Berlim, 3 de abril de 1998) foi um pintor e escultor alemão e uma figura fundamental da arte na segunda guerra, metade do século XX. Foi um dos pioneiros da Instalação, Videoarte, do Happening e do Fluxus .
Wolf Vostell was born in Leverkusen, Germany, in 1932. A refugee with his family, in 1939 he escaped to Czechoslovakia, where he lived until 1945. At the war’s end, thirteen-year-old Vostell travelled with his sister and Sephardic mother to Cologne on foot, a three-month trip that presented him with the utter devastation of his country.
Media Art Net | Vostell, Wolf: Electronic Dé-coll/age, Happening Room. Wolf Vostell, «Electronic Dé-coll/age, Happening Room», 1968. Photograph: R. Friedrich | ©. Categories: Action. Keywords: Aggression | Interaction | Space. Relevant passages: Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life». Works by Wolf ...
