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Ferd “Jelly Roll” Morton. FERD “JELLY ROLL” MORTON. Prologue · Ancestry and New Orleans Days, 1890 — 1905. On the Road, 1905 — 1917 · California Days, 1917 — Spring 1923. Chicago and New York : Success, Prosperity, April 1923 — 1931. Leaner Years in New York, 1931 — 1936. Washington, D.C. : Library of Congress, 1936 — 1938.
Ferdinand "Jelly Roll" Morton, The Collected Piano Music by James Dapogny Composer Morton, Jelly Roll: I-Catalogue Number I-Cat. No. None [force assignment] Movements/Sections Mov'ts/Sec's: 40 pieces: New Orleans Blues (New Orleans Joys) Grandpa's Spells Wolverine Blues (The Wolverines) Mamanita Frog-I-More Rag (Froggie Moore/Sweetheart O' Mine)
19. Aug. 2015 · Morton was the illegitimate child of a 19-year-old illiterate domestic worker. His father was a bricklayer, mason. “There is no evidence that he had any contact with his son Jelly Roll Morton, after their paths crossed in Houston, Texas, in 1913.”. Hanley. His stepfather was a day laborer, also illiterate.
2. Apr. 2024 · In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz, guided by the legendary New Orleans pianist Jelly Roll Morton. Morton became nationally famous as a composer and bandleader in the 1920s, but got his start twenty years earlier, entertaining customers in the city’s famous bordellos and ...
2. Sept. 2015 · Subscribe for the best vintage music http://bit.ly/35VAEKVBest Vintage Travel Songs For Any Journey https://bit.ly/35y6iz0Vintage Big Bands Playlist: 1930s &...
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Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of ...
Morton mocked the stiffness of the ragtimers, and dismissed the blues pianists as “one tune piano players,” so by merging the two forms within his own music, he brought them new sophistication and vitality. Jelly Roll borrowed from a wide range of other sources, domestic and foreign, high-brow and low. But unlike the hacks who pieced ...
