Suchergebnisse
Suchergebnisse:
Art historian Robert Hughes series - episode 7 - Culture as Nature. British historian Alistair Sooke tracks down the forgotten women artists of pop, finding their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer, and Jann Haworth.
During this critical decade in American life, artists built on the styles of the 1950s. An explosion of artistic energy produced Pop Art, Minimalism, color-field painting, and hard-edged abstraction. Sculptors and painters on both coasts explored new methods and new subject matter. American Art in the Sixties examines the key figures of that decade including Rauschenberg and Johns, two crucial ...
72% of Adults Were Married. At the beginning of the 1960s, marriage was still a fairly unquestioned rite of passage into adulthood. The median age for brides in 1960 was 20.1, while the median age for grooms was 24.2, and the percentage of adults who were married was a large majority: 72% in 1960. But the decade brought about sweeping social ...
Eye in the Egg Ülo Ilmar Sooster, 1962. Five Feet of Colorful Tools Jim Dine, 1962. Gold Marilyn Monroe Andy Warhol, 1962. Hammer Noises Jim Dine, 1962. Humility Benny Andrews, 1962. Landscape Zlatyu Boyadzhiev, 1962. Leda and the Swan Cy Twombly, 1962. Marilyn Diptych Andy Warhol, 1962. Nigerian Women Gathering Uzo Egonu, 1962.
American Art in the 1960s. In the 60's media flooded the art world and gave artists new means and methods for a cultural revolution. Leading the scene of avant-garde art were innovators such as Robert Rauschenberg, George Segal, Claes Oldenburg and Andy Warhol. American Art in the 1960s follows said artists and many others as they move through ...
21. Nov. 2023 · As one of the most pivotal decades in American history, the 1960s affected nearly every aspect of American culture, including art, dress, lifestyles, and politics.
20. Aug. 2020 · Dedicated to critical inquiry, the collective centered the concerns of Black artists at a time when they were largely excluded by white-owned art institutions. “I suggest that Western society, and particularly that of America, is gravely ill and a major symptom is the American treatment of the Negro,” Spiral Group co-founder Romare Bearden told ARTnews in a 1966 feature.
