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Gradually Going Tornado is the third solo album by drummer Bill Bruford and the second and final album by his group Bruford. It was co-produced by Bruford and Ron Malo, the latter known from his work with Weather Report. The music on the album leans closer to progressive rock than the jazz fusion oriented sound of the band’s previous albums.
Bill Bruford's Earthworks performing live at the Deutsches Jazz Festival from Kongresshalle in Frankfurt, Germany on March 10th, 1988. Full show.Setlist:01....
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17. März 2022 · For this anthology, Bruford has selected 70 tracks from across his whole career, comprising works from some 23 different artists and bands over a 40-year period. “I’ve deliberately avoided forcing them into industry categories such as ‘progressive rock’, ‘fusion’ or ‘jazz’,” Bruford adds, “on the grounds that most of the music I’ve been associated with fits very poorly ...
Bruford-Garland Earthworks Underground Orchestra cd BBSF013CD Tracks: 10. The challenging circumstances surrounding this were described in my book. Musically, it doesn’t get much better than to have some of you own music arranged for a little big band of crack NYC players and to be able to present it in a top NYC jazz club.
Bill Bruford's Earthworks were a British jazz band led by drummer Bill Bruford. The band recorded several albums for Editions EG , Discipline Global Mobile and Summerfold Records. Earthworks went through several line-ups: in addition to the band's accomplishments as a unit, Earthworks was a training ground for Django Bates , Iain Ballamy , Patrick Clahar, Mark Hodgson, Steve Hamilton and ...
22. Apr. 2022 · Two bands other than Yes dominate its 70 tracks. One is King Crimson, the fiercest and most progressive prog act of all, which Bruford joined in 1972. The other is Earthworks, which he formed in ...
Bill Bruford. Rick Wakeman. Steve Howe. Anderson Bruford Wakeman Howe ( ABWH) were an English progressive rock band active from 1988 to 1990 that comprised four past members of the English progressive rock band Yes. Singer Jon Anderson left Yes as he felt increasingly constrained by their commercial and pop-oriented direction in the 1980s.
