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17. Aug. 2005 · Jan Hammer's output continued to be prolific in the 1980s, a decade in which he began to concentrate on composing soundtracks for television and film. His first major breakthrough in this field came when he was asked to write the score for the Miami Vice TV series. After he had finished writing Crockett's Theme, the signature tune for the series, Jan Hammer instantly knew that he had created ...
Jan Hammer has no problem with dance music, but is disappointed at the lack of opportunity radio and TV provides for other styles of synth playing. "I have also produced dance music and I enjoy listening to some of it where there are stark sounds and imaginative programming, but with most of it there's a musician presence that's missing — where the musician has something to say," says Jan ...
In 2018 Jan Hammer re-emerged after a nearly decade-long hiatus with the release of Seasons Pt. 1, a compilation of existing musical ‘sketches’ that he’d developed into longer pieces just for the album. Seasons Pt. 1 was so well received—it was lauded by Something Else Reviews as..." a fully orchestrated sound, all springing from his fertile mind and creatively assisted by technology ...
14. Sept. 2023 · Der Songtext Crockett's Theme von Jan Hammer handelt von einem Polizisten namens Crockett, der in der sonnigen Stadt Miami arbeitet. Er beschreibt seine Erfahrungen und den Job, den er hat, um die Stadt zu schützen und zu dienen. Im ersten Vers wird Crockett als jemand beschrieben, der in einer Umgebung von Sex, Drogen und schönen Mädchen ...
Neal Schon & Jan Hammer Here To Stay (1983) Columbia: Jan Hammer Miami Vice (1985) MCA: Jan Hammer The Early Years (1986) Nemperor / Sony Jan Hammer Escape From Television (1987) MCA: Jan Hammer Snapshots (1989) MCA: Jan Hammer Beyond The Mind's Eye (1992) Miramar / MCA: Jan Hammer Drive (1994) Miramar > Jan Hammer Snapshots 1.2 (2000) One Way ...
The discography of Czech-American musician Jan Hammer consists of 25 albums with Hammer as the lead artist, as well as several singles and a large number of collaborations with jazz and rock musicians, such as John McLaughlin, Jeff Beck, Al Di Meola, Mick Jagger, Carlos Santana, Stanley Clarke, Tommy Bolin, Neal Schon, Steve Lukather, and Elvin Jones among many others.
I'm sure somebody like Jan Hammer* has found ways to channel his creativity in venues that may be invisible to us. Some people get satisfaction from scoring film and television, some hit a wall and need something else, either bigger or smaller. Or possibly he got tired of fighting for gigs, or being typecast, or whatever. I honestly have no ...
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