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  1. Lollipop, lollipop. Oh lolli lolli lolli, lollipop, lollipop. Oh lolli lolli lolli, lollipop, lollipop. Oh lolli lolli lolli, lollipop. Buh-bum, bum, bum. Crazy way he thrills me. Tell you why. Just like a lightning from the sky. He loves to kiss me 'til I can't see straight.

  2. Then tell him that his lonesome nights are over. Sandman, I′m so alone. Don′t have nobody to call my own. Please turn on your magic beam. Mr. Sandman, bring me a dream. Mr. Sandman (yes) bring us a dream. Give him a pair of eyes with a come-hither gleam. Give him a lonely heart like Pagliacci. And lots of wavy hair like Liberace.

  3. 18. Jan. 2019 · The Chordettes were one of the female vocal groups who epitomised the style and atmosphere of early ’50s popular music but who continued to have pop hits through into the rock ‘n’ roll era following their landmark No. 1 in 1954 with Mr. Sandman. Formed in Wisconsin just after WWII, they moved from singing folk music to performing barbershop harmony, and in 1949 made a winning appearance ...

  4. The Chordettes w aren ein US-amerikanisches weibliches Gesangsquartett. Die Gruppe n ahm zunächst (ab 1950) für Columbia Records, danach (ab 1954) ausschließlich für Cadence Records auf, w urde hier allermeist v om Orchester Archie Bleyer [1] begleitet u nd hatte zwischen 1954 u nd 1961 a cht Top-20-Hits i n der U.S.-Hitparade.

  5. A polka dot vest and man, oh, man. He wears tan shoes with pink shoe laces. And a big Panama with a purple hat band. He takes me deep-sea fishing in a submarine. He gonna drive-in movies in a limousine. He′s got a whirly-birdy and a 12-foot yacht. Ah, but that′s a not all he's got. Hes got tan shoes with pink shoe laces.

  6. This Is Gold by The Chordettes (CD, 2004, 3 Discs) No Outer Box. Condition: Very Good Very Good. Price: US $5.99. Approximately £4.93. Buy it now . This Is Gold by The Chordettes (CD, 2004, 3 Discs) No Outer Box. Sign in to check out. Check out as guest. ...

  7. The Chordettes were one of the longest lived vocal groups with beginnings in the mainstream pop and vocal harmonies of the 1940s and early 1950s. Although the arrangements owed more to The Andrews Sisters than doo-wop, they did, unlike many of their peers, prove fairly adaptable to the rock and roll era.