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The Crests are an American doo-wop group, formed by bass vocalist J.T. Carter in the mid 1950s. The group had several Top 40 hits in the late 1950s and early 1960s on Coed Records . Their most popular song, " 16 Candles ", rose to #2 on the Billboard Hot 100 chart in February 1959 selling over one million copies and earning a gold disc status . [1]
11. Sept. 2020 · Listen to unlimited streaming or download The Best of the Crests Featuring Johnny Mastro: 16 Fabulous Hits by The Crests in Hi-Res quality on Qobuz. Subscriptions from $10.83/month.
Der Erfolg der Crests hielt bis 1960 an. Dann verließ der Leadsänger Johnny Maestro die Gruppe, um sich als Solist zu versuchen. Der Sänger James Ancrum ersetzte ihn. Mit ihm hatten die Crests nochmal einen Achtungserfolg mit dem Song Little Miracles. Jedoch erreichte diese Single entgegen der vorherigen Songs als erste die Top 100 nicht.
The Crests had been Coed's flagship group since their 16 Candles just missed topping the pop hit parade (you'll find it on our 1958 edition). Maestro's powerhouse leads and the harmonies of second tenor Tommy Gough, baritone Harold Torres, and bass J.T. Carter ensured that the multi-ethnic Crests kept posting hits: Six Nights A Week, Flower Of Love , and The Angels Listened In in 1959 alone.
10. März 2017 · The Crests were a popular New York City R&B musical group of the late 1950s, often thought to be another all-black teenage-sound band, they were in fact about as integrated as a group could get, with four men (two of them black, one Puerto Rican and one Italian) and one black female. The band was founded by JT Carter and included Talmoudge Gough, Harold Torres, and Patricia Van Dross (older ...
The Best of the Crests Featuring Johnny Maestro [Rhino] by Johnny Maestro & the Crests released in 1990. Find album reviews, track lists, credits, ...
The Crests were discovered singing in the subway, signed to Joyce Records and their debut single, "Sweetest One" charted nationally. It only took a couple of single releases to get to "16 Candles" the eternal classic doo-wop ballad. Starting out as the B-side to "Beside You," when flipped it hit #2 on the pop charts and #4 on the R&B in early 1959.