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  1. Doug Sahm excelled in a wide range of genres throughout his career and influenced both the Texas and national music scenes. Sahm was a musical prodigy who, at an early age, began playing with a local band. He was singing on the radio at the age of five and was so gifted that he could play the fiddle, steel guitar, and mandolin by the time he was eight years old. Around this age, he appeared on ...

  2. 19. Nov. 1999 · Doug Sahm was born Nov. 6, 1941, in San Antonio. He began playing steel He began playing steel guitar on a local radio station at age 9, and in his early teens, Sahm

  3. 8. Nov. 2016 · Doug scattered country inflected material across both his Tribe and Mercury phases but maybe one of the best early(ish) intimations of his devotion to the genre was the release of the single Be Real credited to one Wayne Douglas in 1970. This was a full-on Ray Price styled Texas Shuffle with tinkling piano a la Floyd Cramer, rampant fiddle and (slightly subdued) pedal steel. In fact this was a ...

  4. nl.wikipedia.org › wiki › Doug_SahmDoug Sahm - Wikipedia

    Doug Sahm begon zijn carrière als wonderkind van de countrymuziek. Al op 6-jarige leeftijd trad hij op in lokale radioshows. In december 1952 stond de 11-jarige Sahm op het podium met Hank Williams sr., slechts enkele weken voor diens dood. Op 13-jarige leeftijd maakte hij als Little Doug Sahm zijn eerste plaatopname ( A Real American Joe) en ...

  5. Entdecke His Early Years by Doug Sahm (CD, Mar-2006, Collectables) in großer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung für viele Artikel!

  6. 6. Nov. 2021 · Doug Sahm and Freddy Fender in All Over the Map: True Heroes of Texas Music. When Doug Sahm recorded “Wasted Days and Wasted Nights” on his 1971 Tex-Mex roots project The Return of Doug Saldaña, the track opened with a salute to the man who wrote it. “And now a song by the great Freddy Fender,” Sahm said, his voice drenched in echo.

  7. 1. Jan. 1973 · Doug Sahm began his solo career in 1972, after the Sir Douglas Quintet finished its contract with Smash/Mercury and after Atlantic Records co-owner/producer Jerry Wexler convinced him to sign to his label. Wexler gave the Texas maverick the chance to cut a star-studded, big-budget album, shuffling him off to New York where Wexler and Arif Mardin helmed a series of sessions with an ever ...