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  1. 6. Sept. 2023 · Mercedes de Acosta, born to parents descended from the Spanish nobility, was raised in a wealthy section of New York’s West Side. She met celebrities through her sister Rita Lydig. Eighteen ...

  2. 9. Mai 2023 · Retrato de estudio de Mercedes de Acosta en 1904. Ernest Walter Histed/Museum of the City of New York/Getty Images De Acosta comenzó escribiendo libretos para su amante Le Gallienne, aunque sin ...

  3. 20. Mai 2021 · Abstract: Mercedes de Acosta (1893-1968) was a novelist, playwright, poet, Hollywood scriptwriter, and a prominent member of gay society in New York and Hollywood. The Mercedes de Acosta papers contain correspondence, manuscripts, photographs, and ephemera documenting her professional and personal life.

  4. The author illustrates that Mercedes de Acosta was a devotee of the theatre throughout her lifetime and that she developed relationships with some of the most important performers of her day: dancers Tamara Karsavina and Isadora Duncan, whose autobiography she helped edit and helped ensure its publication in 1927; and actresses Alla Nazimova, Hope Williams, and Eva Le Gallienne, for whom she ...

  5. 30. März 2021 · Tres poemas de Mercedes de Acosta: la voz fuera de la norma. Publicado por Soraya Benítez | 30 Mar, 2021 | Poetas mujeres | 0. Aquellos dorados años veinte vieron su luz. Aquella década, cien años atrás, en la que Mercedes de Acosta brilló profesional y sentimentalmente, aunque se haya dado más relevancia a esto último, a sus relaciones ...

  6. De Acosta, the daughter of affluent Cuban immigrants, grew up in New York where, in the 1920s, she was a figure in both the city’s “high society” and its drag clubs and speakeasies. “These were years guided by the spirit. Though she was the author of books of prose, collections of poems, and scripts, Mercedes de Acosta is rarely ...

  7. 10. Mai 2004 · In this first book-length biography of Mercedes de Acosta, theatre historian Robert A. Schanke adroitly mines lost archival materials and mixes in his own interviews with de Acosta’s intimates to correct established myths and at last construct an accurate, detailed, and vibrant portrait of the flamboyantly uninhibited early-twentieth-century author, poet, and playwright.