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Louise Brooks (ur. jako Mary Louise Brooks 14 listopada 1906 w Cherryvale, Kansas, zm. 8 sierpnia 1985 w Rochester) – amerykańska tancerka, modelka i aktorka. Pamiętana jest zwłaszcza z głównych ról w trzech filmach, w tym dwóch w reżyserii G. W. Pabsta : Puszka Pandory (1929), Dziennik upadłej dziewczyny (1929) i Prix de Beauté (1930).
With her iconic black bob and celebrity status, Louise felt invincible. Unfortunately, her wild and free-spirited ways led her to an end so tragic, it’s unforgettable. 1. She Had An Artistic Family. From the moment she was born, Louise Brooks had the arts at her fingertips.
Louise Brooks olarak bilinen Mary Louise Brooks (14 Kasım 1906 - 8 Ağustos 1985), profesyonel 1920'ler ve 1930'larda Amerikalı bir sinema oyuncusu ve dansçıydı. Bugün bir Caz Çağı ikonu ve kariyerinin başlarında popülerleşmesine yardımcı olduğu bob saç stili nedeniyle öncü bir kadın ve döneminin seks sembolü olarak kabul ediliyor.
4. Jan. 2022 · Le 8 août 1985, Louise Brooks meurt après une crise cardiaque. Elle avait 78 ans et souffrait depuis longtemps d’arthrite et d’emphysème. La mort de Louise Brooks fait la une des journaux de Rochester, où elle résidait depuis longtemps. D’autres journaux aux États-Unis publient des articles sur l’actrice désormais iconique, et d ...
2. Juni 2018 · Mary Louise Brooks, as she was born in 1906, had a rebellious streak that often tipped into self-sabotage. When Paramount refused to raise her wages during contract renewal negotiations, ...
Hollywood. Louise Brooks (staand) in de film The Show Off. Brooks kreeg rond deze tijd een contract bij Paramount Pictures en had een figurantenrol in The Street of Forgotten Men (1925). In de rest van de laatste jaren van de stomme film was ze de vrouw op de voorgrond in films en was ze te zien naast onder andere Adolphe Menjou en W.C. Fields.
Louise Brooks once lamented the unattainability of the freedom she had been formed for: “Over the years I suffered poverty and rejection and came to believe that my mother had formed me for a freedom that was unattainable, a delusion” (Brooks, Lulu in Hollywood). This yearning for freedom, both personal and artistic, is a recurring theme in Brooks’ life, and her struggle to break free ...
