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Carter Burwell’s ravishing score is in many ways what allows a hearing audience to embody the perceptions of the film’s two deaf characters, Rose and Ben, as we trace their rhyming journeys through New York City, fifty years apart. It’s music that makes you see, music that small and feel buzzing through your toes, that can tremble like a fog of mystery or come leaping into triumphant flight.
This year (2018) we are honoured to welcome Academy Award-nominated composer Carter Burwell, considered one of the most brilliant film composers of his generation. Burwell is known for his compelling scores including 'Being John Malkovich', 'In Bruges', 'Where The Wild Things Are', 'Twilight' and his unique collaborations with some of the world's most respected filmmakers such as the Coen ...
29. Dez. 2015 · Carter Burwell’s tenure as a Hollywood composer is a bit remarkable, both in terms of longevity and adaptability. As the go-to composer for the Coen Brothers and Spike Jonze, Burwell has readied ...
"Carter Burwell delivers a score that, while not the best he would write for the Coens—that would wait for one more film—remains his most wildly inventive, a giddy mishmash of banjo, organ, whistling, and yodeling that plays like the mutant offspring of Marvin Hamlisch and Ennio Morricone." - Christopher Orr, The Atlantic, Sept. 9, 2014.
Carter Benedict Burwell (d. 18 Kasım 1955), Amerikalı film müziği bestecisidir. Matematik öğretmeni Natalie ile Thaibok Fabrics, Ltd.'in [1] kurucusu Charles Burwell'ın oğlu olarak New York 'ta dünyaya gelmiştir.
Carter Burwell’s score is particularly thunderous, mirroring the onscreen action, and the 3-D really is – for once – superb, making for a rather breathtaking two hours. Well done." - Marc Savlov, Austin Chronicle, Jan. 29, 2016.
Carter Burwell's Notes. The milieu of this film is a Jewish community in the Midwestern United States in the 1960s. Every attempt to incorporate these elements (Judaism, the Midwest, the 60s) into the score was unsuccessful.
