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The collar of his coat turned up in New York: Images which have collaborated on building a myth – the image of eternal and misunderstood youth. Unlike Marlon Brando, the proletarian rebel with identifiable goals, James Dean was the timeless and androgynous youthful rebel. His death on the Interstate 46 leads us back to 1950s America, a time when youth was re-interpreted all anew.
The collar of his coat turned up in New York: Images which have collaborated on building a myth – the image of eternal and misunderstood youth. Unlike Marlon Brando, the proletarian rebel with identifiable goals, James Dean was the timeless and androgynous youthful rebel. His death on the Interstate 46 leads us back to 1950s America, a time when youth was re-interpreted all anew.
The car itself. The nickname Little Bastard explains the characteristics of Dean's particular Porsche, which was 3.7 meters long, 1.5 meters wide and 98 centimeters high, with an overall mass of just under 600 kg. Too bad it was driven by a 135 hp engine, a power that in those years in the United States was achieved with a 5-liter V8, while for ...
James Dean: Little Prince, Little Bastard 2005 ★★½ . Watched Apr 17, 2024. UsernameScream’s review published on Letterboxd: WEIRDEST doc on James Dean that I’ve ever seen. The only positive is that you get some exclusive interviews. Probably won ...
Unlike Marlon Brando, the proletarian rebel with identifiable goals, James Dean was the timeless and androgynous youthful rebel. His death on the Interstate 46 leads us back to 1950s America, a time when youth was re-interpreted all anew. James Dean - Little prince, Little Bastard is a 2005 documentary with a runtime of 1 hour and 30 minutes ...
17. Feb. 2021 · A seguradora declarou perda total do Little Bastard, mas vendeu seus destroços por US$ 2,5 mil para o Dr. William Eschrich, que já havia competido contra Dean várias vezes. Ele despiu o carro ...
The collar of his coat turned up in New York: Images which have collaborated on building a myth – the image of eternal and misunderstood youth. Unlike Marlon Brando, the proletarian rebel with identifiable goals, James Dean was the timeless and androgynous youthful rebel. His death on the Interstate 46 leads us back to 1950s America, a time when youth was re-interpreted all anew.
