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Daniel Cohen is the General Music Director of the Staatstheater Darmstadt since 2018 and has recently prolonged his tenure in Darmstadt until the season 2026-27.
Daniel Cohen ist ein international tätiger israelischer Dirigent, Violinist und Generalmusikdirektor.
Daniel Cohen (16 June 1953 – 20 August 2023) was a prominent French economist, a co-founder and professor at the Paris School of Economics, as well as a senior advisor to the bank Lazard. Cohen was born in Tunis, Tunisia, on 16 June 1953, and died in Paris on 20 August 2023, at the age of 70.
21. Aug. 2023 · Bien connu du grand public pour ses interventions dans les médias, Daniel Cohen, mort ce dimanche 20 août à l'âge de 70 ans, était notamment président de l'École d'économie de Paris, un pôle...
20. Aug. 2023 · Daniel Cohen, a professor and Lazard adviser who led the Paris School of Economics, died Sunday, his publisher said. He was 70.
Daniel Cohen has been the General Music Director of the Staatstheater Darmstadt since 2018 and has recently prolonged his tenure in Darmstadt until the 2026-27 season. Recent highlights in Darmstadt include Wagner’s Lohengrin, directed by Andrea Moses, and Berg’s Lulu, directed by Eva Maria Höckmayr and Hoffmann’s Tales, directed by Dirk ...
Daniel Cohen may refer to: Daniel Cohen (children's writer) (1936–2018), American writer. Daniel Cohen (conductor) (born 1984), General Music Director Staatstheater Darmstadt. Daniel Cohen (economist) (1953–2023), French economist.
Daniel Cohen ist seit Oktober 2018 Generalmusikdirektor des Staatstheaters Darmstadt. Ausgebildet an der Royal Academy of Music in London, war Daniel Cohen als Geiger lange Zeit Mitglied im West–Eastern Divan Orchestra, wo er auch dessen Gründer und Dirigenten Daniel Barenboim bei vielen Projekten assistierte, unter anderem bei einem ...
21. Aug. 2023 · One of France's most respected and instructive economists passed away on Sunday at the age of 70. A professor at the École Normale Supérieur, he revealed the relevance of...
“ Cohen and the [Milwaukee Symphony Orchestra] gave a crisp, fresh performance of Beethoven’s 8th symphony, combining warm, full instrumental sounds with light-handed phrasing, and impeccable hand-offs of musical ideas.” [...] “delightful moments of raw, visceral music making.
