Suchergebnisse
Suchergebnisse:
United States. Language. English. Budget. $600,000 [1] or $1.3 million [2] Repeat Performance is a 1947 American film noir (with fantasy elements) starring Louis Hayward and Joan Leslie. The film was released by Eagle-Lion Films, directed by Alfred L. Werker, and produced by Aubrey Schenck .
Budget. $2,126,000 [1] Box office. $4.2 million (US/ Canada rentals) [2] or $5,452,000 [1] Hollywood Canteen is a 1944 American musical romantic comedy film starring Joan Leslie, Robert Hutton, Dane Clark and features many stars (appearing as themselves) in cameo roles. [3] and produced by Warner Bros. The film was written and directed by ...
Joan Leslie (26 Januarie 1925 – 12 Oktober 2015) was 'n Amerikaanse aktrise. Sy was bekend vir haar rolle in die rolprente High Sierra (1941), Yankee Doodle Dandy (1942), The Sky's the Limit (1943), en Rhapsody in Blue (1945). Filmografie Rolprente. 19 ...
English. Budget. $871,000 [2] Box office. $2,185,000 [2] The Sky's The Limit is a 1943 romantic musical comedy film starring Fred Astaire and Joan Leslie, with music by Harold Arlen and lyrics by Johnny Mercer. The film was directed by Edward H. Griffith, and released by RKO Radio Pictures. Astaire plays a Flying Tiger pilot on leave.
Help Wikipedia deur na moontlike teks te soek en 'n skakel hierheen te plaas. Joan Leslie (26 Januarie 1925 – 12 Oktober 2015) was 'n Amerikaanse aktrise. Sy was bekend vir haar rolle in die rolprente High Sierra (1941), Yankee Doodle Dandy (1942), The Sky's the Limit (1943), en Rhapsody in Blue (1945). Joan Leslie.
Biografia. Nascuda a Detroit (Michigan), Joan Leslie va començar a actuar als tres anys amb les seves dues germanes en espectacles de varietats. Va aterrar a Hollywood quan era una adolescent, actuant amb el seu nom real: es va estrenar amb la pel·lícula Camille, que a Espanya es va titular Margarita Gautier, fent un paper al costat de Greta ...
16. Okt. 2015 · Joan Leslie’s fresh good looks and innocent demeanour often led to her being cast in forces sweetheart and girl-next-door roles. But by the mid-1940s she had proved that she could play anything ...
