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  1. The failures of the poets who thought they were failing. Contemporary poetry has therefore to meditate the different figures of paradoxical failure (the failure that is in no way a simple failure); namely, to distinguish the failures of Baudelaire from that of Rimbaud, from that of Mallarmé …. Type. Papers. Information.

  2. 1. März 2005 · Michel Deguy is currently a professor of French literature at the Universite de Paris VII (Saint-Denis), the founder and editor-in-chief of Po&sie since 1972 (Editions Belin), and the editor of Les Temps Modernes, the journal founded by Jean-Paul Sartre. He is the former president of the Collège international de philosophie and of the Maison des écrivains.

  3. Michel Deguy is currently a professor of French literature at the Universite de Paris VII (Saint-Denis), the founder and editor-in-chief of Po&sie since 1972 (Editions Belin), and the editor of Les Temps Modernes, the journal founded by Jean-Paul Sartre. He is the former president of the Collège international de philosophie and of the Maison des écrivains.

  4. Michel Deguy, born in Paris in 1930, stretches the very concept of poetry. Winner of the Prix Mallarme and the Grand Prix National de la Poesie, he is currently professor of French literature at the Universite de Paris VII (Saint-Denis); the Director of Po&Sie (Editions Belin), the major French journal of poetry and poetics; the Editor of Les Temps Modernes, the journal founded by Sartre; and t...

  5. 17. Feb. 2022 · Michel Deguy, en février 1988. LOUIS MONIER / GAMMA RAPHO. Pour Michel Deguy, qui est mort le 16 février, à Paris, à l’âge de 91 ans, la poésie ne fut pas un camp retranché, menacé par ...

  6. Michel Deguy. Ein Fehler ist aufgetreten. Wiederhole die Anfrage später noch einmal. OK. N'était le cœur. Poèmes (0000) Taschenbuch – 22. September 2011 . Französisch Ausgabe . von Michel Deguy (Autor), Alain Lestié (Illustrator) Alle Formate und ...

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  7. Michel Deguy. In this forthcoming book of annotated translations, commentaries and collaboration, the risk and chance of the poem of which Derrida speaks are engaged, and my co-editor and I have been drawn into a kind of generalized translation, a wide-ranging interpretative gesture, itself bound up with the singular character of an individual ...