Suchergebnisse
Suchergebnisse:
Paolo Bordogna as Figaro, Anna Dowlsey as Cherubino, and Stacey Alleaume as Susanna in our 2019 season of The Marriage of Figaro at the Sydney Opera House. Photo: Prudence Upton. Our connection with Mozart reaches back a long way — right back to our company's birth. But what is it that's so enduring about his work and, in particular, The ...
The Marriage of Figaro is at once the funniest and most poignant of musical comedies. Mozart uses music to take possession of the dramatic situations. His music charts each character’s changing emotions and response to the action around them. The music is alive with this sense of discovery. Mozart revels in his mastery of the comic style ...
20. Jan. 2022 · Figaro determines to outwit his master. But Figaro owes money to Marcellina, and has promised to marry her if he does not manage to repay her. He has also raised the ire of Dr. Bartolo, the Countess’s former guardian, for his role in helping bring about the Count’s marriage to the Countess. To complicate matters further, the young page ...
7. Sept. 2020 · Find out more: https://www.roh.org.uk/tickets-and-events/the-marriage-of-figaro-detailsMozart's great comic opera of intrigue, misunderstanding and forgivene...
- 5 Min.
- 137,1K
- Royal Opera House
The Marriage of Figaro (French: La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by The Barber of Seville and followed by The Guilty Mother .
Join Lyric Opera of Chicago for Mozart’s The Marriage of Figaro, an intimate study of human relationships and one of the greatest operas ever written. In the setting of Count Almaviva’s castle, his servants, Figaro and Susanna, conspire to get the better of their willful employer, joined by his long-suffering wife, the Countess.
Figaro, servant to Count Almaviva, is about to marry Susanna, the Countess’s maid. He measures a room for a bed, but Susanna is concerned that the room is too close to the Count’s chamber. She explains to Figaro that Almaviva is pursuing her. Figaro vows to thwart the Count’s plans. Once Figaro leaves, Doctor Bartolo and Marcellina enter.
