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  1. Renoir used Tréhot as a model for a full-length portrait painted in 1871-1872 (Guggenheim Museum, New York ). Called "Girl Feeding a Bird (Lise)," this work was made as part of an elaborate pictorial dialogue with Manet and Courbet. In it, Tréhot wears the same dress and earrings as she does in the Reves portrait, which suggests that the two works were painted at the same time, and that ...

  2. 4. Mai 2024 · Lise, also known as Lise with a Parasol, is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down ...

  3. Lise Tréhot ( 14 mars 1848, Ecquevilly ( Seine-et-Oise) – 12 mars 1922 (à 73 ans), Paris ( 16e) fut un modèle et la petite amie d' Auguste Renoir entre 1866 et 1872. Elle apparaît dans la plupart des travaux de Renoir à cette époque, soit plus de vingt peintures, notamment Lise à l'ombrelle (1867), Les Fiancés - Le Ménage Sisley et ...

  4. 10. Mai 2014 · Lise Tréhot (1848–1922) war von 1865 bis 1871 Pierre-Auguste Renoirs bevorzugtes Modell. Renoirs Freund Jules Le Cœur, der Geliebte von Lises Schwester Clémence, muss die beiden miteinander bekannt gemacht haben, und wahrscheinlich waren auch Renoir und Lise ein Paar. Sie posierte für mindestens 17 Porträts und Figurenbilder ihres Freundes.

  5. Diana ( French: Diane chasseresse, lit. 'Huntress Diana') is a painting from 1867 by the French painter Pierre-Auguste Renoir. It is thought to depict the painter's lover Lise Tréhot as the Roman goddess Diana, although the exact identification of the model in the painting is disputed by art historians.

  6. 21. Sept. 2023 · Mint a kor valamennyi festője, Renoir is a Louvre festményeit másolja, hogy elsajátítsa a mesterek tudását. 1862-ben sikeres felvételi vizsgát tesz a Szépművészeti Főiskolán. 1868-ban a párizsi Szalonban kiállítja Lise napernyővel című festményét, amit Zola lelkesen üdvözöl, ám a kritikusok fanyalognak.