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Race Rebels: Culture, Politics, and the Black Working Class is a 1994 non-fiction book by American writer Robin D. G. Kelley. The book, a cohesive adaptation of several articles previously published by Kelley, concerns the impact made by black members of the American working class on American politics and culture.
Robin D. G. Kelley, Race Rebels: Culture, Politics, and the Black Working Class (New York: Free Press, 1994). James Haskins, One Nation Under a Groove: Rap Music and its Roots (New York: Hyperion Books, 2000). Adam Woog, From Ragtime to Hip-Hop: A Century of Black American Music (Detroit: Lucent Books, 2007).
1. Aug. 2001 · Robin D.G. Kelley,author of Race Rebels: Culture, Politics, and the Black Working Class: If Bettye Collier-Thomas and V.P. Franklin had only gathered together a distinguished group of scholars to document the role woman played in the black freedom movement, their contribution would be immense.
Seem': Rethinking Black Working-Class Opposition in the Jim Crow South", Journal of American History, 80 (1993), pp. 75-112; idem, Race Rebels: Culture, Politics, and the Black Working Class (New York, 1994); Tera W. Hunter, To "Joy My Freedom": Women Workers' Odyssey of Hope and Struggle in the Postwar Urban South (Cambridge, forthcoming).
16. Dez. 2008 · For a thorough investigation of the seemingly constant resistance to bus and streetcar segregation offered by Birmingham's working class during the war, see Kelley, Robin D. G., “Congested Terrain: Resistance on Public Transportation,” in his Race Rebels: Culture, Politics, and the Black Working Class (New York: The Free Press, 1994)Google ...
New foreword by author ***10th Anniversary Edition, revised with new Introduction Race Rebels: Culture, Politics, and the Black Working Class (New York: The Free Press, 1994). Outstanding Book, National Conference of Black Political Scientists, 1995. Into the Fire: African Americans Since 1970 (New York: Oxford University Press, 1996) [Vol. 10 of the Young Oxford History of African Americans ...
Through the trope of the human motor, Jackson's virtuosity produces nostalgia for a vanishing industrial past, while barely containing the contradictions and exclusions endemic to the industrial modernist project, especially those involving race. This trope is activated by the intersection of his movement vocabulary and his recurring invocations of hard work. Jackson's dancing in this period ...
