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  1. Premiere. 30 May 1927. ( 1927-05-30) Théâtre Sarah Bernhardt, Paris. Oedipus rex is an opera - oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however ...

  2. 9. He Has A Hollywood Star. Interestingly, Igor Stravinsky is one of the few classical musicians to have been honored with a star on the Hollywood Walk of Fame. His star, located at 6340 Hollywood Blvd., is a testament to his significant influence on 20th-century music and his contributions to radio.

  3. Diese Auswahl wird durch 5 weitere Kompositionen ergänzt, die ebenfalls sehr berühmt sind. Sicherlich das Beste von Igor Strawinsky, um Ihnen Lust zu machen, sich mit seinen anderen Werken oder mit den Werken anderer Komponisten, die bedeutende Ähnlichkeiten mit dem Werk von Strawinsky aufweisen, zu beschäftigen.

  4. 22. Jan. 2024 · Igor Strawinskys Moritat "The Rake's Progress" gelingt am Staatstheater Augsburg bei der Premiere am 20. Januar 2024 als zeitgemäßes Moralstück. Januar 2024 als zeitgemäßes Moralstück.

  5. Igor Fjodorovitj Stravinskij ( ryska: Игорь Фёдорович Стравинский), född 17 juni 1882 i Oranienbaum (nuvarande Lomonosov) nära Sankt Petersburg i Ryssland, död 6 april 1971 i New York i USA, var en rysk tonsättare, pianist och dirigent. Han levde en stor del av sitt yrkesverksamma liv i Frankrike och USA och är av ...

  6. 14. Mai 2024 · Igor Stravinsky (born June 5 [June 17, New Style], 1882, Oranienbaum [now Lomonosov], near St. Petersburg, Russia—died April 6, 1971, New York, New York, U.S.) was a Russian-born composer whose work had a revolutionary impact on musical thought and sensibility just before and after World War I, and whose compositions remained a touchstone of modernism for much of his long working life.

  7. Stravinsky called Oedipus Rex an “opera-oratorio” and instructed that it be staged with minimal movement; the principal singers are to wear masks. Crucial to the work’s aesthetic was the decision to set a Latin text - a choice, Stravinsky wrote, with “the great advantage of giving me a medium not dead but turned to stone and so monumentalized as to have become immune from all risk of ...