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Hubbard also stepped briefly into the pop arena when he played a solo on “Zanzibar,” a track from Billy Joel’s Grammy-winning 1978 album, 52nd Street. As the ‘80s got under way, Hubbard was once again leading his own group, playing at concerts and festivals in the U.S. and Europe. He frequently collaborated with Joe Henderson, playing a ...
29. Dez. 2008 · Freddie Hubbard was named a NEA Jazz Master in 2006. Freddie Hubbard was offered a French horn scholarship to Indiana Central College but turned it down to focus on trumpet. Freddie Hubbard played the solo on “Zanzibar,” from Billy Joel’s Grammy-winning 1978 album, "52nd Street."
28. Okt. 2014 · Hubbard also stepped briefly into the pop arena when he played a solo on “Zanzibar,” a track from Billy Joel’s Grammy-winning 1978 album, 52nd Street. As the ‘80s got under way, Hubbard was once again leading his own group, playing at concerts and festivals in the U.S. and Europe. He frequently collaborated with Joe Henderson, playing a ...
La trompeta de Hubbard se presentó en la canción "Zanzibar" del álbum 52nd Street de Billy Joel de 1978 (ganador del premio Grammy de 1979 al mejor álbum). La pista termina con un desvanecimiento durante la actuación de Hubbard. Se lanzó una versión sin desvanecer en la caja de Billy Joel de 2004
Frederick Dewayne «Freddie» Hubbard (7. april 1938–29. desember 2008) var ein amerikansk jazztrompetist frå Indianapolis. Karrieren til Hubbard byrja då han flytta til New York i 1958 og starta å spele med m.a. Sonny Rollins , Slide Hampton , J.J. Johnson , Bill Evans , Philly Joe Jones , Oliver Nelson og Quincy Jones .
Freddie Hubbard på Commons. Frederick Dewayne «Freddie» Hubbard (født 7. april 1938, død 29. desember 2008 [8]) var en amerikansk jazz trompetist. Han var først og fremst kjent for å spille bebop, hard bop og post bop fra det tidlige 1960-tallet og fremover. Hans lett gjenkjenbare tone bidro til nye perspektiver innen moderne jazz og bebop.
A key piece of Mobile Fidelity's Billy Joel catalog restoration series, 52nd Street is here sourced from the original master tapes and pressed on 45RPM 180g LP at RTI. The wider and deeper grooves – as well as the meticulous mastering – yield resplendent dynamics, broad soundstages, three-dimensional perspectives, and tonal balances absent from prior editions.
