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27. Okt. 2019 · Cannonball Adderley - Alto SaxNat Adderley - CornetYusef Lateef - Tenor Sax, Flute, OboeJoe Zawinul - PianoSam Jones - BassLuis Hayes - Drums
- 99 Min.
- 472,2K
- Terminal Passage
Jazz Icons: Cannonball Adderley boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet) and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul ...
Cannonball Adderley. Alto saxophonist Julian “Cannonball” Adderley came from a musical family in Florida where he played in regional bands and was a high school band director, a career that he resumed in 1953 after military service. According to The New Grove Dictionary of Jazz, “The nickname ‘Cannonball’ was a childhood corruption of ...
Cannonball Adderley became an important innovator on his horn, eventually teaching and lecturing on jazz, and serving as a prominent spokesperson for the musician genre through extensive television work and residences at several universities. He also experimented with different rhythms and electronics, and before his death, he had begun to re-record some of his earlier numbers.
1. Aug. 2001 · That's what Cannonball Adderley did on March 9, 1958, and the result was, as you pointed out, some of the best work by two of the best soloists in jazz history. It's on the CD Somethin' Else on ...
10. Feb. 2021 · Cannonball Adderley’s Somethin’ Else, one of the few albums featuring Miles Davis as a sideman, is a monument to clarity. Like Davis’ Kind of Blue, recorded with Adderley the following year, it is calm and uncluttered and direct, each line and phrase contributing something crucial to the whole. Indeed, Somethin’ Else is a kindred jazz classic, a sibling of sorts to Kind of Blue. Among ...
Julian Edwin “ Cannonball” Adderley (1928–1975), was an influential jazz saxophonist and bandleader. Known for his exuberant and soulful playing style, Adderley became a sensation on the New York scene of the 1950s.
