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  1. 22. Okt. 2023 · Rembrandt might have been inspired by Renaissance artist Titan and his paintings of Flora. The adoration of his wife echoes through this life-size, quarter-length portrait. Rembrandt painted it in 1634, the same year as their marriage, a joyful time in his life. The artist would continue to paint his wife on three separate occasions.

  2. Considered the greatest painter in all of European Art, Rembrandt van Rijn was a Dutch painter and etcher of the Dutch Golden Age. As a child, he had an inclination towards painting, and spent three years under the apprenticeship of a local history painter. After another six month apprenticeship with painter Jan Pieter Lastman, he opened his ...

  3. This self-portrait by the Dutch artist Rembrandt van Rijn (1606-1669) is one of the jewels of the Scottish National Gallery, and is an incredibly moving depiction of the painter. In ‘Seeking Identity’, episode one in our Reflections podcast series, Ewen Bremner introduces a discussion of self image, inviting several guests to explore the ...

  4. Rembrandt was born in Leiden, and was the son of a miller. He learned to paint from artists Jacob van Swanenburg (1571-1638) in Leiden and Pieter Lastman (1583-1633) in Amsterdam. Around 1625 Rembrandt began working independently in Leiden, but after a few years he moved to Amsterdam. He married the mayor’s daughter, Saskia Uylenburgh, and ...

  5. By 1662 Rembrandt via the new business was fulfilling major commissions for individual portraits, group portraits, and other works. When Cosimo III de' Medici, Grand Duke of Tuscany, came to Amsterdam in 1667, he honored Rembrandt with a visit to his home. Rembrandt outlived Hendrickje, who died in 1663.

  6. Rembrandt seeks closeness to the viewer and shows a narrow section of the picture, presenting only his head and his right shoulder up to his chest. Bending slightly forward, he turns his head toward the observer, looking at his audience with eyes wide open and slightly raised eyebrows. His full, almost shoulder-length, curly hair falls over his forehead. The mouth is half-open.

  7. It is impossible to say how many self-portraits Rembrandt made, for any estimate depends on the definition of what does and what does not belong to his oeuvre. All in all, with the drawings and prints included, Rembrandt must have recorded his own likeness at least 85 times. The self-portraits served various purposes. Some of them show him ...

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