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Joan Greenwood, of the plummy feline voice, was born in the well-to-do London section of Chelsea, the daughter of renowned portrait painter Sydney Earnshaw Greenwood (1887-1949). Dancing from the age of eight, she took ballet lessons and later enrolled at the Royal Academy of Dramatic Art (RADA). Graduating at age 18, Joan made her theatrical ...
Oscar Wilde’s comic jewel sparkles in Anthony Asquith’s film adaptation of The Importance of Being Earnest. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the enduringly hilarious story of two young women who think themselves engaged to the same nonexistent man is given the grand Technicolor treatment.
Directed by Anthony Asquith • 1952 • United Kingdom. Starring Michael Redgrave, Joan Greenwood, Dame Edith Evans. Oscar Wilde’s comic jewel sparkles in Anthony Asquith’s film adaptation of THE IMPORTANCE OF BEING EARNEST. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the ...
Directed by Anthony Asquith • 1952 • United Kingdom. Starring Michael Redgrave, Joan Greenwood, Dame Edith Evans. Oscar Wilde’s comic jewel sparkles in Anthony Asquith’s film adaptation of THE IMPORTANCE OF BEING EARNEST. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the ...
Jason Morell remembers Joan Greenwood, his dear Mama, 100 years after she was born. My mother could stop a black cab at a hundred yards. I witnessed her doing it in 1978, across the entire width of Trafalgar Square. Time froze and everything went into slow motion as her diminutive form hurtled, me panting in her wake, past the fountains, up the ...
Cecil André Mesritz (20 August 1909 – 28 November 1978), known professionally as André Morell, was an English actor. He appeared frequently in theatre, film and on television from the 1930s to the 1970s. His best known screen roles were as Professor Bernard Quatermass in the BBC Television serial Quatermass and the Pit (1958–59), and as ...
