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Joe Keaton (father) Myra Cutler (mother) Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) [1] was an American actor, comedian and film director. [2] He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression ...
15. Sept. 2015 · Clyde Bruckman was something of a Zelig figure in classic comedy, writing and occasionally directing for such legends as Buster Keaton, W.C. Fields, Harold Lloyd, Laurel and Hardy, and the Three Stooges. Bruckman was a talented, complicated, and troubled guy, and in his own subtle way, Dessem makes this not just one man’s story, but that of an entire industry that’s never quite taken ...
- Matthew Dessem
Clyde Bruckman's Final Repose ist eine großartige „ X-Files “-Folge für Menschen, die Genrefilme und -serien mit übernatürlichen Inhalten lieben, aber im realen Leben skeptisch gegenüber ...
13. Okt. 2020 · October 13, 2020 marks the 25th anniversary of one of the most iconic “The X-Files” episodes of all time, “Clyde Bruckman’s Final Repose.” Written by Darin Morgan and directed by David ...
In a store, Clyde Bruckman (special guest star Peter Boyle), a life insurance salesman, purchases a paper and a lottery ticket and leaves. In the street, he almost bumps into an inconspicuous man (Stuart Charno), who heads to a palm reader named Madame Zelma (Karin Konoval). After seeking his fortune, the inconspicuous man attacks and kills her ...
Das Haus der tausend Freuden (1927) Das Haus der tausend Freuden (Originaltitel Call of the Cuckoo) ist eine US-amerikanische Stummfilmkomödie, die Clyde Bruckman nach dem Drehbuch von Leo McCarey und Hal Roach 1927 für die Metro-Goldwyn-Mayer ( MGM) realisierte. Darin sind nicht nur Stan Laurel und Oliver Hardy zu sehen, noch bevor sie das ...
The gagman/director Clyde Bruckman was one of the most sought after talents of comedy's Golden Age. Harry Brand lured Bruckman away from Warner Bros. to work for Buster Keaton in 1921. Along with Joe Mitchell, Jean Havez, and Eddie Cline, Bruckman fashioned the blissfully odd mechanical world of which the poker-faced Keaton was the center, controlling nothing.
