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Mitchell Leisen (b. October 6 1898, Menominee, Michigan–d. October 28 1972, Los Angeles) was an American director, art director, and costume designer. Description above from the Wikipedia article Mitchell Leisen, licensed under CC-BY-SA, full list of contributors on Wikipedia. More details at TMDb
Mitchell Leisen ( 6. oktober 1898 – 28. oktober 1972) var en amerikansk filminstruktør, art director og Kostumedesigner. Han begyndte sit arbejde i filmindustrien i 1920'erne indenfor scenografi og kostumedesign. Han instruerede sin første spillefilm i 1933 ( Nonnebarnet) og blev kendt for sin gode æstetiske sans og evne til at skinnende ...
31. Mai 2021 · Mitchell Leisen – Midnight (1939) The ice went out of the river at the Paramount yesterday, and Spring came laughing in with “Midnight,” one of the liveliest, gayest, wittiest and naughtiest comedies of a long hard season. Its direction, by Mitchell Leisen, is strikingly reminiscent of that of the old Lubitsch.
1. Midnight (1939) Passed | 94 min | Comedy, Romance. A chorus girl stranded in Paris is set up by a millionaire to break up his wife's affair with another man, while being romantically pursued by a cab driver. Director: Mitchell Leisen | Stars: Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer.
Finden Sie Kunstwerke und Informationen zu Mitchell Leisen (amerikanisch, 1898-1972) auf artnet. Erfahren Sie mehr zu Kunstwerken in Galerien, Auktionslosen, Kunstmessen, Events, Biografiedetails, News und vieles mehr von Mitchell Leisen.
P roducer-director Mitchell Leisen was also a well-known designer and decorator of homes.. Leisen attended attended Washington University in St. Louis, Mo., and worked in the advertising art department of the Chicago and as an architect in Chicago before coming to Hollywood in the mid-1920s.
28. Apr. 2021 · Directed by Mitchell Leisen. Though Mitchell Leisen’s name is less well-remembered today than those of his flashier Paramount colleagues Billy Wilder and Preston Sturges—both of whom Leisen helmed scripts by before they got their own shot in the director’s chair—he was a true cinematic artist who brought an unmistakeable elegance ...
