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  1. cookeoptics.com › interviews › seamus-mcgarvey-deconstructingSeamus McGarvey - Cooke Optics

    Seamus McGarvey - Deconstructing Cinematography: A Matter of Life and Death - 75th Anniversary “In this episode Seamus talks about his love for the work of Jack Cardiff. His favourite movie is A Matter of Life and Death (1946).

  2. Seamus McGarvey (Armagh, 29 de junho de 1967) é um diretor de fotografia irlandês. [1] Filmografia. Butterfly Kiss (1995) The Winter Guest (1997) I Could Read the Sky (1999) Charlotte's Web (2006) We Need to Talk About Kevin (2011) Anna Karenina (2012) Fifty Shades of Grey (2015) Nocturnal Animals (2016) Wonka (2023) Referências

  3. 3. Mai 2015 · McGarvey has earned around 30 narrative film credits since 1995, including The War Zone, World Trade Center, Charlotte’s Web and The Soloist. He earned BAFTA, ASC and Oscar cinematography nominations for Atonement in 2007. “We Need To Talk About Kevin is a tough story that struck a chord with me,” McGarvey says. “Lynne had a great vision.

  4. In 1998, Seamus McGarvey became the youngest member of the British Society of Cinematographers, and won the Royal Photographic Society's prestigious Lumière medal for contributions to the art of cinematography. Throughout his career, he has worked on a variety of acclaimed films such as The Avengers, Godzilla, The Soloist and The Hours.

  5. Seamus McGarvey. Home. Biografía. Filmografía. Equipo técnico. Año Título Trabajo Nota de los usuarios; 2024 Without Blood: Director de fotografía - 2021 Cyrano: Director de fotografía 2,6 ...

  6. 10. Nov. 2023 · Seamus McGarvey provided us with useful insight into industry practice and advice for working within camera and lighting.” Third year student, Ronan McAuley, who also attended the workshop, added: “Seamus was open and generous with his time and it was amazing to see him work and understand his thought process. I can’t wait for him to ...

  7. 23. Mai 2014 · Seamus McGarvey, a cinematographer who puts storytelling at a high level of importance when it comes to working behind a camera, shared that vision. At that point, it was certain that the two filmmakers would approach Godzilla in a way that many don’t go towards anymore when it comes to movies like this.