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  1. www.metacritic.com › movie › head-onHead-On - Metacritic

    21. Jan. 2005 · Head-On. Metascore Generally Favorable Based on 33 Critic Reviews. 78. User ... But for all the film's griminess and doom, bad behavior and bad luck, it's hope that engines Head-On. Read More By Kimberley Jones FULL REVIEW. 75. Chicago S ...

  2. 26. Juni 2017 · Head-On 2004 With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-ye...

    • 2 Min.
    • 51,9K
    • Trailer Chan
  3. Head-On. 2004. Gegen die Wand. Directed by Fatih Akin. Synopsis . With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an ou ...

  4. Le metteur en scène allemand d'origine turque Fatih Akin, dont Head-On est le troisième long métrage, retranscrit avec justesse la fièvre amoureuse qui gagne les deux âmes en peine. S'il n'évite pas un certain pathos cathartique, surtout dans la seconde partie du film située à Istanbul, il prend bien soin d'éviter tout message manichéen, tout propos moralisateur ou social sur l ...

  5. The film follows Sibel and Cahit as they get married, become closer and eventually fall in love. — Serena P. Condemned to a life of self-pity and drug abuse, Cahit, a German-Turk in his forties who has given up from life, decides to put an end to his miserable existence, and in despair, he drives his car head-on into a wall.

  6. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he's facing problems with his traditional Greek parents, who have no ...

    • 104 Min.
  7. "Head On (1998)" brings a different style in character study. Usually, they start the film one way and end it another, but here, the protagonist Ari ends the film the same way he started it (this is even clearer in his narration in the last scene). Particularly, I prefer that traditional formula, because I like to see the evolution of the ...