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Eduardo De Filippo. Writer: Side Street Story. Coming from a show-business family (his father Eduardo Scarpetta was a famous stage actor), Eduardo de Filippo made his stage debut at age 5 playing the role of "Peppiniello" in his father's comedy "Miseria e Nobiltà". At 32 he formed his own stage company with his brother Peppino de Filippo and sister Tina de Filippo, and the three began making ...
Running time. 102 minutes. Country. Italy. Languages. Italian, Neapolitan. Side Street Story ( Italian: Napoli milionaria [ˈnaːpoli miljoˈnaːrja], meaning "Millionaire Naples") is a 1950 Italian comedy film directed by Eduardo De Filippo, who wrote the play [ it] upon which the film is based. It was entered into the 1951 Cannes Film Festival.
29. Okt. 2023 · Titina, die zeitweise die „De Filippo“-Truppe verlassen hatte, um für eine Truppe Nino Tarantos zu arbeiten, schloss sich 1941 wieder ihren Brüdern an. Peppino De Filippo verließ 1944 die Truppe und veranlasste damit ihre Auflösung. Eduardo De Filippo gründete 1945 zusammen mit Titina die Truppe „Il teatro di Eduardo“.
I fratelli De Filippo, Titina, Eduardo e Peppino crescono con la giovane madre, Luisa De Filippo. Il loro padre biologico è il grande attore e commediografo Eduardo Scarpetta , il quale, pur mantenendoli e garantendo loro la possibilità di studiare, non li riconosce mai come propri e li ritiene inferiori ai figli legittimi, in particolar modo rispetto a Vincenzo , considerato l'unico erede ...
Gennaro Cannavacciuolo (2018) Gennaro Cannavacciuolo (* 14. Februar 1962 in Pozzuoli; † 24. Mai 2022 in Rom [1]) war ein italienischer Schauspieler und Sänger in Theater, Musicals, Operette, Fernsehen und Kino.
Eduardo De Filippo, also known simply as Eduardo, was an Italian actor, playwright, and screenwriter, best known for his Neapolitan works Filumena Marturan...
L'art de la comèdia va ser escrita per Eduardo De Filippo l'any 1964. És probablement una de les obres més polítiques de la darrera meitat de segle, perquè problematitza una de les claus de lectura més candents de la nostra societat: la «versemblança», la capacitat de «semblar real» sense importar si ho és o no, però les implicacions ideològiques afecten de manera directa la ...
