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Francesco Alfieri. Francesco Ferdinando Alfieri was a master of fencing of the 17th century. He was a representative of the Venetian school of fencing and “Maestro D’Arme” to the Accademia Delia in Padua in 1640. Alfieri was originally from Padua, [1] which at that time was the territory of the Venetian Republic.
e. The cultural and artistic events of Italy during the period 1500 to 1599 are collectively referred to as the Cinquecento ( / ˌtʃɪŋkwɪˈtʃɛntoʊ /, [1] [2] [3] Italian: [ˌtʃiŋkweˈtʃɛnto] ), from the Italian for the number 500, in turn from millecinquecento, which is Italian for the year 1500. Cinquecento encompasses the styles ...
1400 - 1500. Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto, Paolo Veronese and Jacopo Bassano and his sons.
Bacchus and Ariadne 1520-3. Titian (c.1488–1576) The National Gallery, London. (Born Pieve di Cadore, c.1480/5; died Venice, 27 August 1576). The greatest painter of the Venetian School and one of the supreme figures of world art. In the course of a very long and highly prolific career he dominated Venice's art during its golden age and also ...
No. The term Italian school of swordsmanship is used to describe the Italian style of fencing and edged-weapon combat from the time of the first extant Italian swordsmanship treatise (1409) to the days of classical fencing (up to 1900). Although the weapons and the reason for their use changed dramatically throughout these five centuries, a few ...
Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Franco-Flemish School", though a teacher-student-relationship between them rarely existed.
In Parmigianino 's Madonna with the Long Neck (1534–1540), Mannerism makes itself known by elongated proportions, highly stylized poses, and lack of clear perspective. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the ...
