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  1. Criterion Collection Edition #5 François Truffaut’s first feature is also his most personal. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.

  2. 12. Mai 2010 · The 400 blows; Bookreader Item Preview remove-circle Share or Embed This Item ... The 400 blows; by Truffaut, François; Moussy, Marcel, 1924-1995; Denby, David, 1943- ed. Publication date 1969 Topics Quatre cents coups (Motion picture) ...

  3. 3. Mai 2000 · From the moment Truffaut’s The 400 Blows ( Les Quatre Cents Coups, 1959) is previewed out of competition along with Rossellini’s India (1958) and Resnais’s Hiroshima, mon amour (1959) on May 4th 1959 at Cannes, Truffaut is triumphant as one of the leading archetypal luminaries of the French New Wave Cinema. The June cover of Cahiers du ...

  4. 1207Auteur Theory and the French New WaveFrançois Truffaut’s The 400 Blows The 400 Blowsis the autobiographical first feature film by François Truf-faut, who was twenty-seven years old when he made it in 1959. Asidefrom its intrinsic value as a moving, psychologically acute portrait of theartist as a young man, The 400 Blowsis historically ...

  5. 1. Dez. 2021 · The Image: Just wonderful! That shrine! That shot of the last page of he Quest of the Absolute - and to think Pierre Léaud is playing Antoine Doinel as a 14...

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  6. 4. Juni 2013 · Directed by Francois Truffaut. The 400 Blows grew out of Truffaut’s frustration with the brief running time of Les Mistons (also on today’s program), and although it is undeniably autobiographical, it clearly owes debts to the director’s movie-going addiction. A serious analysis would produce a near endless list of allusions, but some of ...

  7. François Truffaut’s first feature is also his most personal. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. The film marked Truffaut ...