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  1. Gustave Caillebotte ( 19. elokuuta 1848 Pariisi – 21. helmikuuta 1894 Gennevilliers) oli ranskalainen taidemaalari, taiteenkeräilijä ja impressaario. Hänen maalaustyylinsä oli omaperäinen yhdistelmä impressionismia ja silloista akateemista taidetta. Hän toimi myös monien tunnettujen impressionististen maalarien mesenaattina.

  2. Le Pont de l'Europe. Le Pont de l'Europe (English title: The Europe Bridge) is an oil painting by French impressionist Gustave Caillebotte completed in 1876. It is held by the Musée du Petit Palais [ fr] in Geneva, Switzerland. The finished canvas measures 125 by 181 centimetres (49 in × 71 in). [1]

  3. 28. Apr. 2024 · Gustave Caillebotte, französischer Maler des Impressionismus, Kunstsammler, Mäzen und Bootsbauer , wurde am 19.08.1848 in Paris geboren und starb am 21.02.1894 in Gennevilliers. Gustave Caillebotte wurde 45. Der Geburtstag jährt sich zum 175. mal. Sternzeichen Löwe am 19. August.

  4. Gustave Caillebotte was one of the leading figures of the French Impressionist movement, although he painted more realistically than other impressionists. He was born in 1848 into a wealthy upper-class Parisian family. Despite being a trained engineer, he took an interest in painting and began studying under painter Léon Bonnat and later ...

  5. Aug 19, 1848 - Feb 21, 1894. Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was noted for his early interest in photography as an art form. Online Exhibit.

  6. Gustave Caillebotte: 12 works. 'Gustave Caillebotte was of crucial importance to the Impressionists as a collector, but he was also a major painter in his own right. From the early 1880s, he increasingly painted outdoors, producing some 35 paintings of sailboats on the river Seine.'. 'Unlike Courbet or Millet, Caillebotte does not incorporate ...

  7. Gustave Caillebotte: Neue Perspektiven des Impressionismus. Munich, 2009, pp. 180–82, pl. 48, ill. (color, overall and detail), calls it "Chrysanthemenbeet im Garten von Petit Gennevilliers" ["Bed of Chrysanthemums in the Garden at Petit Gennevilliers"]; notes the diagonal arrangement of the composition, with light-filled blossoms at top left and leafy stalks sunk in darkness at bottom right.