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  1. 20. Juli 2012 · Die Schauspielerin und Musicaldarstellerin Celeste Holm ist tot. Im Alter von 95 Jahren verstarb sie im Kreise ihrer Familie in New York. ...

  2. 18. Juli 2012 · Celeste Holm, Remembered by Her Husband and Friends. “Nothing is forever in the theater. Whatever it is, it’s here, it flares up, burns hot, and then it’s gone,” Celeste Holm’s character ...

  3. Celeste Holm first turned heads at the age of 26 as the gaily promiscuous Ado Annie in the first run of the Rogers & Hammerstein musical Oklahoma! In some ways, this role would set the tone for her career, which spanned 60 years in film, television and theatre. Her vocal muscularity and comedic talent attracted 20th Century Fox, who signed her in 1946, and would beckon some of Hollywood’s ...

  4. 16. Juli 2012 · Sogar einen ‚Oscar‘ konnte Celeste Holm für ihre Nebenrolle in dem Film „Tabu der Gerechten“ aus dem Jahr 1947 mit nach Hause nehmen. Viele deutsche Serienfans kennen Holm aber vor allem als die gemeingefährliche Anna Rossini, die in der fünften Staffel von „Falcon Crest“ Angela Channings Herrenhaus in Brand setzte. Nun ist die ...

  5. Celeste Holm je rođena u New Yorku, u obitelji norveškog podrijetla. Holm je studirala glumu na sveučilištu u Chicagu. Prvi nastup na kazališnim daskama je imala 1936. godine i uskoro je postala poznata glumica na Broadwayju. Na filmu je debitirala 1946. godine ulogom u Trima djevojčicama u plavom ( Three Little Girls in Blue ).

  6. 15. Juli 2012 · Celeste Holm, a Broadway star in "Oklahoma!" and an Oscar winner for "Gentlemen's Agreement," died Sunday. She was 95. Holm was hospitalized about two weeks ago with dehydration after a fire in ...

  7. 1. Okt. 2020 · Celeste Holm Syndrome casts the spotlight upon actors who held smaller roles, but don’t be fooled: these essays don’t merely discuss Thelma Ritter and Eric Blore’s biographies. Rather, Lazar creates his own play on second glances as he explores the nuances and essential moments of those actors who were a little off center during this era. Just as Lazar explains how cinema would fall flat ...