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  1. www.artsy.net › article › artsy-editorial-fluxus-movement-artWhat Is Fluxus? | Artsy

    14. Jan. 2017 · Karen Kedmey. Jan 14, 2017 9:00AM. In 1963, an artist named George Maciunas put forward a rallying cry for a new movement in art, one that he would call “ Fluxus .”. Like many of his avant-garde predecessors and peers, he chose to make his case known in the form of a manifesto. The document was itself a work of art, composed of several ...

  2. de.wikipedia.org › wiki › FluxusFluxus – Wikipedia

    Fluxus (nach lateinisch fluxus ‚Fließen, Fluss‘, zu fluere ‚fließen, vergehn‘) [1] ist eine von George Maciunas (1931–1978) begründete Kunstrichtung, bei der es nicht auf das Kunstwerk ankommt, sondern auf die schöpferische Idee. Fluxus wurde in den 1960er Jahren weithin bekannt.

  3. 3. Jan. 2015 · George Maciunas, “Self-portrait” (1961), black-and-white photograph (image courtesy of George website) Artists of the Fluxus era continued to create works in its spirit after Maciunas died ...

  4. George Maciunas formed a circle of artists and an attitude called Fluxus, challenging the prevailing art market. Fluxus set out to question time-worn notions of authorship and value, challenging ostensibly firm distinctions between artistic genres, and raising the question “who owns an idea?”. Fluxus has been described, “as the most ...

  5. The meteoric career of charts and diagrams in historiography began long before George Maciunas’ learning machines. Its origins can be traced back to a network of eighteenth-century scholars who were instrumental in popularizing the visualization of history in the form of knowledge charts and also helped to sustain the ascendancy of these charts well into the nineteenth century. The prime ...

  6. George Maciunas war ein US-amerikanischer Künstler litauischer Abstammung. Er war Mitbegründer, Theoretiker und Propagandist der Fluxusbewegung.

  7. George Maciunas: A Finger In Fluxus. Artists may talk about the relationship between art and life (note Robert Rauschenberg’s 1959 statement, “I try to act in that gap between the two”) (1) and never leave the subject of painting or sculpture ; or they may put their talents to practical use (cf. the Bauhaus) and attempt to transform their ...