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María Irene Fornés ( Havana, 14 de maio de 1930 - Nova Iorque, 30 de outubro de 2018) foi uma escritora, dramaturga e diretora cubano - estadunidense, lésbica, notável na cena off-off-Broadway na década de 1960. As peças teatrais de Fornés variam amplamente de assunto, mas em grande medida tratam sobre o impacto das condições ...
María Irene Fornés (La Habana,14 de mayo de 1930 - Nueva York, 30 de octubre de 2018) [1] fue una dramaturga y directora cubanoamericana, destacada en el Off-Off-Broadway en la década de 1960. Se inspiró por primera vez para escribir mientras vivía con Susan Sontag , a quien alentó en un momento difícil en la carrera de escritora de Sontag.
María Irene Fornés with, from left, her fellow playwrights Arthur Miller, John Guare, Edward Albee and Horton Foote before a round-table discussion at the Signature Theater in 2000. Photo:Sara Krulwich/The New York Times . 1961-1962 John Hay Whitney Fou ...
María Irene Fornés (1930-2018), a nine-time Obie award winning theatre artist, represents the genesis of Latinx playwriting. Born in Havana, Cuba, she first came to New York City in 1945 at the age of 15. Although La Vuida, a Spanish language play was her first written play, Tango Palace was her first to be produced in 1963.
María Irene Fornés (May 14, 1930 – October 30, 2018) was a Cuban-American playwright and director. She was a leading figure of the off-off-Broadway movement in the 1960s. In 1965, she won her first Obie Award for Promenade and The Successful Life of 3 .
María Irene Fornés nacque all'Avana, figlia di Carmen Collado e Carlos Fornés. Nel 1945, dopo la morte del padre, emigrò negli Stati Uniti con la madre e la sorella Margarita Fornés Lapinel. Arrivata negli Stati Uniti, dove ottenne la cittadinanza nel 1951, cominciò a lavorare in una fabbrica di scarpe, per poi decidere di studiare inglese e cominciare a lavorare come traduttrice. [3]
The Fornés Institute, an initiative of the Latinx Theatre Commons (LTC), aims to preserve and to amplify María Irene Fornés’s legacy as a teacher, mentor and artist, through workshops, convenings and advocacy. “She’s the most original of us all. In the work of every American playwright at the end of the 20th century, there are only two ...
