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2 maja 1870. Kijów, Imperium Rosyjskie. Data i miejsce śmierci. 25 stycznia 1933. Los Angeles, Kalifornia, USA. Zawód. producent filmowy. Lewis J. Selznick (ur. 2 maja 1870 w Kijowie, zm. 25 stycznia 1933 w Los Angeles) – amerykański producent filmowy .
9. Mai 2024 · Selznick received his early training in motion pictures from his father, Lewis J. Selznick, a producer of silent films in New York City. The young Selznick moved to Hollywood in 1926, and, in the next 10 years at Metro-Goldwyn-Mayer , Paramount , and RKO studios, he advanced from script reader and assistant story editor to producer.
1. Feb. 1973 · Lewis J. Selznick, however, remained a wheeler-dealer all his active life, a promoter for the sake of promotion, and so his downfall is not for mourning and his career is chiefly remarkable for ...
Selznick stammte aus einer jüdischen Familie. Sein Vater war der Stummfilmregisseur Lewis J. Selznick. Selznick fügte aus einer Laune heraus das „O“ in seinen Namen ein. Nach einem abgebrochenen Studium an der Columbia-Universität in New York begann er in den 1920er Jahren als Drehbuchlektor und Regieassistent bei Metro-Goldwyn-Mayer (MGM).
Lewis J. Selznick. American businessman (ca 1870-1933) Statements. instance of. human. 1 reference. imported from Wikimedia project. English Wikipedia. image. Lewisjselznick.jpg 480 × 640; 124 KB . 1 reference. imported from Wikimedia project. French Wik ...
7. Mai 2024 · Lewis J. Selznick (May 2, 1870 – January 25, 1933) was a Jewish-American producer in the early years of the film industry. After initial involvement with World Film at Fort Lee, New Jersey, he established Selznick Pictures in California. Lewis J. Selznick was born in 1870 in Anyksciai, [2] Kovno Governorate, Russian Empire (now in Lithuania ...
Selznick News was the news offering of Lewis J. Selznick Productions, Inc. Like Lewis J. Selznick’s Hollywood studio, it ran for only a few short years, starting out strong with two issues a week in April 1920 and running out of steam by late 1922. The issues used a distinctive “ripped-from-the-headlines” graphics style that reinforced the popular notion of newsreels as animated newspapers.
