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Ed Ruscha »Twentysix Gasoline Stations« Das Buch enthält Fotografien von 26 Tankstellen, eine einzeilige Bildunterschrift gibt Namen und Ort jeder Tankstelle an. Die Aufteilung der Seiten variiert: Mal nimmt eine Fotografie eine Doppelseite ein, mal eine Seite, mal auch nur die Hälfte einer einzelnen Seite.
Artists’ Book, Ed Ruscha, Ed Ruscha, 1963, National Excelsior Press, 1st edition, Photobook, Architecture, Cars, Gasoline Stations, Photography, numbered
Twentysix Gasoline Stations was Ruscha s first artist s book and was originally published in April 1963 on his own imprint National Excelsior Press. It was an important precursor and influence on the then emerging artist's book culture in the US. The book is spine slanted but otherwise in Fine condition, the jacket is yellowed to the spine and has minimal chipping at the spine ends. Overall an ...
The gasoline station is Ruscha's most iconic image. He began experimenting with the subject in his first artist's book, Twentysix Gasoline Stations (1963), which reproduces a series of banal photographs the artist took while driving on Route 66 between Los Angeles and his hometown of Oklahoma City.
1. Okt. 2015 · Twentysix Gasoline Stations, 1963 di Edward Ruscha. Nel 1962 Ed Ruscha decide di percorrere la celeberrima route 66 in un progetto che a ben guardare racconta la vita dei distributori di benzina senza però, ed è importante sottolinearlo, mai fotografare la strada stessa. Twentysix Gasoline Stations, come il titolo del libro indica, contiene ...
Largely considered the first modern artists’ book, TwentySix Gasoline Stations is also the first bookwork by Ed Ruscha. Self-published in 1963 and in second and third editions in 1967 and 1969, Twentysix Gasoline Stations features black-and-white photos of gas stations taken from a distance along Route 66 in Southern California, Arizona, New Mexico, Oklahoma, and Texas, documenting the ...
His series of photographic artist books which began in 1962 with ‘Twentysix gasoline stations’ were incredibly popular upon release and remain highly influential. The majority of these books reflect his visual engagement with the banal spectacle of Los Angeles – a city he has described in as “the ultimate card-board cut out town” [‘A conversation with Edward Ruscha’, R Landau & J ...
