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  1. 4. März 2019 · De Kooning’s eclectic, experimental approach to painting wasn’t always admired by his peers. “No single image represents his style or characterizes his career as do, for example, the poured paintings of Jackson Pollock and the abstracted topographies of Clyfford Still,” Lake explained in Willem de Kooning: The Artist’s Materials (2010).

  2. Willem de Kooning Foundation. Gotham News, 1955. oil, enamel, charcoal, and newspaper transfer on canvas, 69 1/2 x 79 3/4 inches. Collection Albright-Knox Art Gallery, Buffalo, NY. Gift of Seymour H. Knox, Jr., 1955. ©The Willem de Kooning Foundation/ Artists Rights Society (ARS), New York. Back to Top. The Foundation fosters the study and ...

  3. Untitled VI, 1986. oil on canvas, 77 x 88 inches. Quality of a Piece of Paper, 1987. oil on canvas, 70 x 80 inches. [no title], 1988. oil on canvas, 77 x 88 inches. The Foundation fosters the study and appreciation of Willem de Kooning's life and work through research, exhibitions, and educational programs.

  4. After years of cajoling, in 1966 Willem de Kooning agreed to a retrospective of his work. He had resisted for many years, telling one reporter, ‘They treat an artist like a sausage, tie him up at both ends, and stamp on the center “Museum of Modern Art”, as if you’re dead and they own you’.1 De Kooning’s vivid description exposes a fear and anxiety about the canonisation of artists ...

  5. Pink Angels, 1945 by Willem de Kooning. Pink Angels marked an important stage in de Kooning's evolution from figuration towards abstraction in the 1940s. The fleshy pink biomorphs of his earlier work - shapes that evoke eyes and other anatomical forms - are violently torn apart in a painting that was reportedly inspired by the carnage of World War II, and the figurative elements are barely ...

  6. Publication of “De Kooning Paints a Picture” by Thomas B. Hess in ARTnews, chronicling the creation of Woman I (1950 – 1952). March 16 – April 11. First one-man exhibition at Sidney Janis Gallery, New York (his new gallery), “Paintings on the Theme of the Woman”; included Woman I (1950 – 1952), purchased by The Museum of Modern Art in June.

  7. Willem de Kooning: Abstraction, Representation, and Reinvention “What you do when you paint, you take a brush full of paint, get paint on the picture, and you have fate.” So declared Willem de Kooning (American, born The Netherlands, 1904–1997), an Abstract Expressionist artist, celebrated for his exuberant paintings and vivid compositions, in which he often merged abstraction and ...