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  1. www.imdb.com › name › nm0220305Maya Deren - IMDb

    Maya Deren. Director: Meshes of the Afternoon. Maya Deren came to the USA in 1922 as Eleanora Derenkowsky. Together with her father Solomon Derenkowsky, a psychiatrist, and her mother Maria Fidler, an artist, she fled the pogroms organized by the Bolsheviks against the Jews.

  2. Maya Deren (1917-1961) is a key figure in the development of avant-garde cinema. Her series of short films made between 1942 and 1946 – Meshes of the Afternoon (1942), At Land (1944), and Ritual in Transfigured Time (1946) – form a trilogy that articulates the initiatory journey of a female protagonist through inner imaginal worlds of dream ...

  3. 20. Sept. 2023 · Die avantgardistische Regisseurin schuf in den vierziger Jahren Filme, nach denen Cineasten noch heute dürsten. Maya Deren trachtete danach, die Grenzen des Kinos und der Wahrnehmung aufzusprengen.

  4. 9. Apr. 2020 · Maya Deren war Tänzerin. Filmtheoretikerin. Regisseurin. Und Voodoo-Expertin. In ihren Werken hat die russische Emigrantin die Glaubwürdigkeit des Unwirklichen erforscht – und die Zeit in alle ...

  5. 14. Mai 2010 · Exhibition. May 14–Oct 4, 2010. Maya Deren (American, 1917–1961) was a visionary of American experimental film in the 1940s and 1950s. A precocious student, she studied poetry and literature at New York University and Smith College, where she became interested in the arts. While working for modern-dance choreographer Katherine Dunham, Deren met her future husband, filmmaker Alexander ...

  6. 11 AM - 7 PM. 27/09 > 27/11. 10 AM - 6 PM. Central Pavilion. Admission with ticket. “The beginning is the end,” written on a woman’s forehead, wraps around a pentacle – an occult, star-shaped symbol conjuring magical phenomena. The line can be read in a loop; a mantra, perhaps, for experimental filmmaker Maya Deren, who cast actress ...

  7. 28. Apr. 2017 · Maya Deren (1917–61) once wrote: “In film I can make the world dance.” And that’s exactly what she did. Born in Kyiv 100 years ago, Deren is one of the most influential figures in American avant-garde cinema. She is most commonly associated with her debut film, Meshes of the Afternoon (1943), but she was also a dancer, choreographer ...