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Howard Goodall CBE is one of Britain’s best-known composers of choral music, stage musicals, TV and film scores. He is also a distinguished music historian and broadcaster. Howard has composed some of the best-known British TV theme tunes of the last 40 years, including Mr Bean, Blackadder, Red Dwarf, Q.I. and The Vicar of Dibley.
The Lord is my Shepherd. Howard’s setting of Psalm 23, the theme to the TV series The Vicar of Dibley, has proved to be an extremely popular piece of music in its own right. Howard’s intention in writing the theme had always been to write a piece of church music which could have a life of its own, beyond the series, and this has certainly ...
Howard Goodall is an EMMY, BRIT, Gramophone and BAFTA winning composer of c horal music, stage musicals, film and TV scores. Choral Music: His settings of Psalm 23 and Love Divine are amongst the most performed of all sacred music in the UK, featuring on several platinum-selling CDs. Eternal Light: A Requiem has had over 700 live performances ...
Choral Music. Howard’s compositions include both sacred and secular choral music. His settings of Psalm 23 and Love Divine are amongst the most performed of all sacred music. His works have been commissioned to mark several national ceremonies and memorials, and he has contributed songs to several platinum-selling CDs. All of Howard’s music ...
Komponist, Liedtexter. Howard Goodall ist eine der markantesten Stimmen im zeitgenössischen Musiktheater. Seine Musicals werden weltweit in Produktionen aller erdenklichen Größenordnungen und Ambitionen aufgeführt. Viele haben Preise gewonnen, und alle hinterlassen einen unauslöschlichen Einfluss auf die Interpreten, die sie zu ihren ...
Follow Howard Goodall, a renowned composer, broadcaster and author, on Twitter. Get updates on his latest projects, insights on music and culture, and interact with him and his fans. Howard Goodall is the voice of classical music on Twitter.
But the pivotal story of Twentieth Century music, Howard Goodall believes, is this astonishing, unexpected and unprecedented flowering of popular music. In this new century, the old, damaging division between the two camps – classical and popular – will no longer be an issue. There will just be music, good and bad.
