Suchergebnisse
Suchergebnisse:
25. Sept. 2021 · Call Her Savage demonstrates that it is difficult for a film to change its track so frequently and still feel cohesive, but acknowledging its lack of cohesion did not detract from the interest I took in watching the story spill all over the place. To the film’s credit, in never resting, it conveys a sense of constant action as it powers through multiple time periods, geographies, and story ...
24. Apr. 2021 · Call Her Savage is a wild, tempestuous film that is neither ever grounded in reality nor ever very dull. Clara Bow selected the project personally and it’s not hard to see why. As an escalation of the women’s picture of the early-1930s, this one threatens to blow the rest down by sheer force of a maddened power.
Call Her Savage. Call Her Savage is a 1932 Melodrama film directed by John Francis Dillon and starring Clara Bow in her next-to-last film role. Nasa Springer (Bow) is the granddaughter of a rich Texas railroad magnate. Her mother Ruth (Estelle Taylor) is trapped in a loveless, sexless marriage to Pete Springer (Willard Robertson), who cares ...
Call Her Savage ist ein Film von John Francis Dillon mit Clara Bow, Gilbert Roland. Synopsis: Ein wildes Mädchen aus Texas sorgt für reichlich Aufruhr...
Call Her Savage has been condemned by the more discriminating as a flashy, trashy, tasteless and unpleasant exhibit, but not even the most captious deny its superficial appeal to the larger public.” bright new future for Clara. Clara’s three favorite films were Mantrap, It, and Call Her Savage.
In 1932, Fox Studios lured her back with a two-picture deal in what would turn out to be the final two films of her career. Clara later claimed that she returned to Hollywood “for the sole purpose of making enough money to stay out of it.”. Those last two films were Call Her Savage, directed by John Francis Dillon, and Hoop-La, directed by ...
Actually the offspring of a Native American man and a white woman, tempestuous Texas heiress Nasa Springer (Clara Bow) grows up believing her father to be Pete Springer (Willard Robertson), a railroad tycoon. When her dad ships his emotionally troubled daughter off to a girls' school in Chicago, and later arranges a marriage for Nasa, she defies him by wedding a drunken cad (Monroe Owsley ...
