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Théodore Rousseau, Albero di Quercia, Apremont (1850–1852) Théodore Rousseau è oggi unanimemente considerato uno dei più sensibili paesaggisti dell'Ottocento francese. Egli, in particolare, si rifugiò in un'idea di natura trepidante e squisitamente malinconica, indagandone soprattutto la resa con i fenomeni atmosferici.
11. Apr. 2024 · Théodore Rousseau (born April 15, 1812, Paris, France—died December 22, 1867, Barbizon) was a French painter who was a leader of the Barbizon school of landscape painters. His direct observation of nature made him an important figure in the development of landscape painting. Rousseau, the son of a tailor, began to paint at age 14.
Théodore Rousseau. 1812. április 15. A Wikimédia Commons tartalmaz Théodore Rousseau témájú médiaállományokat. Théodore Rousseau ( Párizs, 1812. április 15. – Barbizon, 1867. december 22.) francia festő, a tájképfestés epikusa és a barbizoni iskola egyik megalapítója. A legtöbb képét a Louvre -ban és a hágai Mesdag ...
Théodore Rousseau (n. 15 aprilie 1812, Paris, Primul Imperiu Francez – d. 22 decembrie 1867, Barbizon, Île-de-France, Franța) a fost un pictor francez, fondator al Școlii de la Barbizon. Observator minuțios al naturii în toate anotimpurile anului, arta lui posedă în același timp un caracter realist, din dorința lui de a picta natura ...
Théodore Rousseau was born in 1812 in Paris, the son of a tailor from the Jura region. Sent at thirteen to his father's native province, to do office work at a sawmill, he learned to know and love the forests of the Jura. On his return to Paris, having decided to become a landscape painter, he studied briefly with Charles Rémond (1795-1875 ...
Théodore Rousseau, né le 15 avril 1812 à Paris et mort le 22 décembre 1867 à Barbizon, est un peintre et graveur français. Il est considéré comme étant le cofondateur de l' école de Barbizon et a été un observateur attentif de la nature à toutes les époques de l'année.
Théodore Rousseau, 1812–1867: Catalogue raisonné de l'œuvre peint. Paris, 1999, pp. 105–6, nos. 66 and 67, ill., confuses its history and catalogues it as two separate works, with information in the latter entry being generally accurate, calling it "Le Torrent," dating it 1829–31, and stating that it is in the J. Duncan collection, but erroneously describing the secondary support as ...
