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  1. Royal Collection, 1642. The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly ...

  2. Rembrandt was a dedicated self-portraitist all his life, and roughly forty self-portraits by him survive today. In this example, painted when Rembrandt was fifty-four, the artist was unsparing in depicting the signs of aging in his own face, building up the paint in high relief to convey his furrowed brow, the heavy pouches beneath his eyes, and his double chin.

  3. 12. Aug. 2021 · Rembrandt’s Self Portrait, 1628 captures a young man on the brink of adulthood at 23 years old, with youthful plump skin and wild, unruly hair. Dramatic backlighting casts his face into obscuring shadow, as highlights catch the tip of his nose and wisps of his hair, demonstrating the artist’s early fascination with chiaroscuro modelling effects that would play out in his most famous large ...

  4. 24. Feb. 2019 · Rembrandt used the light and shadow effect of chiaroscuro but used paint more sparingly than during his later years. The middle years of the 1630s and1640s show Rembrandt feeling confident and successful, dressed up in some portraits, and posed similarly to some of the classical painters, like Titian and Raphael, whom he greatly admired. The ...

  5. 10. Juli 2022 · Rembrandt inspirierte Künstler dazu, sich von Konventionen zu befreien und sich gänzlich der Kunst zu widmen. Ein Symbol für diese Freiheit und gleichzeitig Rembrandts Markenzeichen wurde ...

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  6. Rembrandt or pupil. The painting is covered by a layer of yellowed varnish. The Prophetess Anna in the Temple. 1650 or c. 1646. Oil on panel. 40.5 x 31.5. National Gallery of Scotland, Edinburgh. 210. The painting is covered by a layer of yellowed varnish.

  7. Rembrandt died in 1669 and was buried in an unknown grave in the Westerkerk, Amsterdam. More Self-Portraits by Rembrandt. In this 1659 self-portrait, 53-year-old Rembrandt van Rijn’s deep-set eyes bore into the viewer’s. His pose is modelled on Raphael’s famous portrait of Balthasar Castiglione, which Rembrandt saw at an auction in 1639.

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